The painter and varnisher's guide, or, A treatise, both in theory and practice, on the art of making and applying varnishes, on the different kinds of painting, and on the method of preparing colours both simple and compound ... /

Includes index.

The plain dealer; being select essays on several curious subjects, relating to friendship love, and gallantry, marriage, morality, mercantile affairs, painting, history, poetry, and other branches of polite literature.

Originally published in 117 numbers, Mar. 23, 1724 - May 7, 1725.

French painting : National Gallery of Art /

Mode of access: Internet.

Painting, protective and decorative.

Mode of access: Internet.

The world's painters since Leonardo; being a history of painting from the Renaissance to the present day.

"This edition published...1906."

Catalogue of the annual exhibition of painting and sculpture.

Other slight variations in title.

The art of the Munich galleries, being a history of the progress of the art of painting, illuminated and demonstrated by critical descriptions of the great paintings in the Old pinakothek, the New pinakothek and the Schack gallery in Munich,

Mode of access: Internet.

A history of painting in Italy, Umbria, Florence and Siena, from the second to the sixteenth century,

Vol. 3, edited by Langton Douglas; v. 4, by Langton Douglas, assisted by G. de Nicola; v. 5-6, by Tancred Borenius.

Schools and mastes of painting: with an appendix on the principal galleries of Europe.

Mode of access: Internet.

Cyclopedia of painting; containing useful and valuable information ...,

Cover title: Painter's cyclopedia.

Fifty years of modern painting,

Mode of access: Internet.

The ideals of painting...

Mode of access: Internet.

The Illustrated exhibitor and magazine of art : collected from the various departments of painting, sculpture, architecture, history, biography, art-industry, manufactures, inventions and discoveries, local and domestic scenes, ornamental works, etc., etc.

Includes indexes.

Raphael's Madonna Gonzaga; technical proofs of authenticity and history of the painting,

CONDITION: Good.

French painting in the sixteenth century,

"This book has been translated from Monsieur Dimier's French ms. by Mr. Harold Child."