Brown's stranger's handbook and illustrated guide to Salisbury cathedral : being a full historical and descriptive account of the building and monuments with eighteen engravings on wood.

Mode of access: Internet.

Architectural gems from Ely Cathedral : and the monastic buildings.

Illustrations engraved by W. Woolnoth, S. Rawle, F.J. Havell, and E. Challis.

The village harmony, or, New-England repository of sacred musick /

For 3-4 voices.

The abbey church of St. Albans,

Mode of access: Internet.

The lives of the deans of Canterbury, 1541 to 1900 /

Mode of access: Internet.

Reports of cases argued and determined in the Superior Court of Judicature for the State of New-Hampshire.

Imprint varies: Concord, N.H., -1841/42.

History of the family of Wrottesley of Wrottesley, co. Stafford.

Supplement to the Genealogist.

A treatise on criminal pleading, with precedents of indictments, special pleas, &c. Adapted to practice.

Mode of access: Internet.

The bibliography of Sir Walter Ralegh, knt.

Mode of access: Internet.

Workshop on Methodology for Evaluating the Effectiveness of Transit Crime Reduction Measures in Automated Guideway Transit Systems. Proceedings. Final report.

Urban Mass Transportation Administration, Washington, D.C.

L'ancien chapitre cathédral du Mans /

"Extrait du Bulletin de la Société d'agriculture, sciences et arts de la Sarthe."

Art in Devonshire, with the biographies of artists born in that country.

"Reprinted, with additions, from the Transactions of the Devonshire Association for the Advancement of Science, Literature, and Art. Read at Dawlish and at Crediton, 1881 and 1882."

Branched Cross

Hans Rutenzwig; 1 ft. 7 11/16 in.x 7 3/32 in.x 6 17/32 in.; engraved, chased and partially gilded silver and pearls

The Arabian nights entertainments: consisting of one thousand and one stories, told by the Sultaness of the Indies...Containing a familiar account of the customs, manners, and religion of the eastern nations.

Mode of access: Internet.

The pilgrimage of Robert Langton,

"This reprint has been set in blackletter to preserve some of the appearance of the original; but except for the woodcuts it is not a facsimile, even in line arrangement. 755 copies were printed under the supervision of Bruce Rogers at the Harvard university press, Cambridge, Massachusetts, in August, 1924."