Essai sur l'universalité de la langue française ... lu a l'Académie des inscriptions, les 15 et 22 Septembre, 1826;

Mode of access: Internet.

Mesehowe : illustrations of the runic literature of Scandinavia, translations in Danish and English of the inscriptions in Mesehowe, visits of the northern sovereigns to Orkney, notes, vocabularies, etc. /

Original blue gilt cloth.

Inscriptions et monuments du Musée gallo-romain de Sens;

Mode of access: Internet.

Voyage litteraire de deux religieux benedictins de la Congregation de Saint Maur : où l'on trouvera I. Quantité de pieces, d'inscriptions & d'epitaphes, servantes à éclaircir l'histoir, & les genealogies des anciennes familles. II. Plusieurs usages de églises cathedrales & des monasteres, touchant la discipline & l'histoire de églises des Gaules. III. Les fondations des monasteres, & une infinité de recherches curieuses & interessantes qu'ils ont faites dans près de cent évêchez & huit cent abbayes qu'ils ont parcouru.

Ex copy has 4 p. ms. preface bound in after t.p. of vol. 1.

A copy of inscriptions on the gravestones in the old cemetery, or Pine Ridge cemetery, so called, in Hancock, New Hampshire.

Andrew B. Stone, Edgar L. Ware, and Wilfred M. Davis, committee appointed by the selectmen of the town to make a survey and plan of the cemetery, with a copy of the inscriptions on all the gravestones. cf. p. 3.

The gravestone inscriptions of Rupert, Bennington county, Vermont;

Manuscript note on t.-p.: Copy no.5.

Colonial gravestone inscriptions in the State of New Hampshire,

References: p. [6]

London signs and inscriptions;

Mode of access: Internet.

La photographie appliquée à l'archéologie : reproduction des monuments, œuvres d'art, mobilier, inscriptions, manuscrits /

Mode of access: Internet.

The church bells of Norfolk : where, when, and by whom they were made, with the inscriptions on all the bells in the county /

Mode of access: Internet.

Iosephi Francisci RezzolI presbyteri inscriptiones.

Acquisition made accessible thanks to a 2015-2017 grant from the Council on Libraries and Information Resources.

Solennizzandosi la centenaria commemorazione dell' incoronazione di M. V. sul monte presso Varese : iscrizioni e poesie.

Acquisition made accessible thanks to a 2015-2017 grant from the Council on Libraries and Information Resources.

Desiderata du Corpus inscriptionum latinarum de l'Académie de Berlin ... Notice pouvant servir de 1.[-v.] supplément ...

Vols. 2-5 have also collective t.-p.: Les balles de fronde de la république provenant d'Ascoli.

Monumens de l'histoire de France, en estampes et dessins ...

The present 30 volumes seem to have remained with the Dukes of Leuchtenberg, until the ducal library was acquired for sale in 1935 by the dealers Ulrich Hoepli (Milan) and Braus-Riggenbach (Basel). The volumes are not complete, as leaves have been wholly or partly removed throughout; this is particularly evident in preliminary volumes 2 and 10 and volume 75. Prints and the relatively small number of drawings are mostly French, with some German, Dutch and English, and are mostly of the 17th or 18th centuries. They are mounted generally on rectos of leaves, often with hand-written captions. Large prints are occasionally bound in directly; these are often folded. The engraved general title page (bearing the date 1788) appears at the beginning of each volume; below the printed title a hand-written volume number and brief title describing the volume's contents usually appear. In many volumes the title leaf is followed by a hand-written contents leaf listing the section titles, which are also written individually throughout the volume on leaves with etched decorative frames. Sections are numbered continuously throughout the work as a whole. Numbering of the leaves, when present, appears in black ink within each volume at top center recto. Printmakers include B. & J. Audran, Francesco Bartolozzi, Abraham Bosse, Stefano della Bella, Jacques Callot, François Chéreau, Wenceslaus Hollar, Romeyn de Hooghe, Raymond La Fage, Sébastien Le Clerc, Pierre Lepautre, Claude Mellan, Bernard Picart, and Simon Thomassin. There are also early color prints by Gautier-Dagoty and Jean-Baptiste Morret.

Le T'ai chan : essai de monographie d'un culte chinois ; appendice, Le dieu du sol dans la chine antique /

Includes bibliographical references and index.