Proceedings of the National Association of Elocutionists.

Mode of access: Internet.

Funding for the John F. Kennedy Center [microform] : hearing before the Committee on Environment and Public Works, United States Senate, Ninety-sixth Congress, first session, on S. 1532 ... July 20, 1979.

Reuse of record except for individual research requires license from Congressional Information Service, Inc.

American journal of archaeology : the journal of the Archaeological Institute of America.

Imprint varies: Boston, MA : Archaeological Institute of America,

Etching and other graphic arts;

Includes index.

Industrial arts in our elementary schools,

Mode of access: Internet.

The Athenµum.

"Journal of literature, science, the fine arts, music, and the drama."

Art metalwork with inexpensive equipment, for the public schools and for the craftsman,

Mode of access: Internet.

The Magazine of art.

Published in London by La Belle Savage: July 1904.

Essays, read to a literary society, at their weekly meetings within the college, at Glasgow ...

I. On the influence of philosophy upon the fine arts -- II. On the composition of the picture described in the dialogue of Cebes -- III. On historical composition.

Catalogue of the ... annual exhibition ...

First and second exhibitions were held in connection with the 2d-3d annual exhibitions of the Columbian Society of Artists, Philadelphia and were issued with that title.

Beyond the Bauhaus : Cultural Modernity in Breslau, 1918-1933 /

The Breslau arts scene during the Weimar period was one of the most vibrant in all of Germany, yet it has disappeared from memory and historiography. Breslau was a key center for innovative artistic production during the Weimar Republic; recovery of its history will shed new light on German cultural dynamics in the 1920s. Such a study has art historical significance because of the incredible extent of innovation that occurred in almost every intellectual field, advances that formed the basis for aesthetic modernism internationally and continue to affect the course of visual art and architecture today. Architecture education, just one example in many, is still largely based on a combination of the Bauhaus model from the 1920s and the model developed at the Breslau Academy of Fine and Applied Art. The exploratory attitude encouraged in Weimar era arts endeavors, as opposed to the conformism of academic art, is still a core value promoted in contemporary art and architecture circles. Given the long-lasting influence of Weimar culture on modernism one would expect to find a spate of studies examining every aspect of its cultural production, but this is not the case. Recent scholarship is almost exclusively focused on Berlin and the Dessau Bauhaus. Although both interests are understandable, the creative explosion was not confined to these cities but was part of a larger cultural ethos that extended into many of the smaller regional centers. The Expressionist associations the Blaue Reiter in Munich and Brücke in Dresden are two well-known examples. Equally, innovation was not confined to a few monumental projects like the Stuttgart Weissenhofsiedlung but part of a broader national cultural ethos. The dispersion of modernism occurred partly because of the political history of Germany as a loosely joined confederation of small city states and principalities that had strong individual cultural identities before unification in 1871 but also because of the German propensity to value and take intense pride in the Heimat, understood both as the hometown and the region. Heimatliebe translated into generous support for cultural institutions in outlying cities. Host to a roster of internationally acclaimed artists and architects, major collectors, arts organizations, museums, presses, galleries, and one of the premier German arts academies of the day, Breslau boasted a thriving modern arts scene until 1933 when the Nazis began their assault on so-called "degenerate" art. This book charts the cultural production of Breslau-based artists, architects, art collectors, urban designers, and arts educators, who were especially interesting because they operated in the space between the margins of Weimar-era cultural debates. Rather than accepting the radical position of the German avant-garde or the reactionary position of German conservatives, many Breslauers sought a middle ground. It is the first book in English to address this history and presents the history in a manner unique to any studies currently on the market. 'Beyond the Bauhaus' explores the polyvalent and contradictory nature of cultural production in Breslau in order to expand the cultural and geographic scope of Weimar history; the book asserts a reciprocal dimension to the relationship between regional culture and national culture, between centers like Breslau and the capital Berlin. With major international figures like the painters Otto Mueller and Oskar Moll, architects Hans Scharoun and Adolf Rading, urban planners Max Berg and Ernst May, collectors Ismar Littmann and Max Silberberg, and an art academy that by 1929 was considered the best in Germany, Breslau clearly had significance to narratives of Weimar cultural production. 'Beyond the Bauhaus' contributes the history of German culture during the Weimar Republic. It belongs alongside histories of art, architecture, urban design, exhibition, collecting, and culture; histories of the Bauhaus; histories of arts education more broadly; and German history. The readership would include those interested in German history; German art, architecture, urban design, planning, collecting, and exhibition history; in the avant-garde; the development of arts academies and arts pedagogy; and the history of Breslau and Silesia.

Across the divide : reconsidering the other /

"The exhibition "Across the Divide: Reconsidering the Other", organized by the Illinois State Museum, was presented at the following sites: Illinois State Museum, Springfield, Illinois, August 15, 2008 - January 11, 2009; Illinois State Museum Gallery, Chicago, Illinois, February 9 - May 8, 2009."

Arts tour.

"Artstour is the Illinois Arts Council fee support program for Illinois performing artists who tour the state."

Policy, board and staff : an introduction for not-for-profit community arts organizations /

From the proceedings of a workshop held September 29-30, 1977, in Rockford, Ill., sponsored by the Illinois Arts Council and the Rockford Arts Council.

Early recollections; chiefly relating to the late Samuel Taylor Coleridge, during his long residence in Bristol.

Early recollections of S.T. Coleridge -- Essays on the fine arts / S.T. Coleridge -- Joan of Arc, Book the second / S.T.C. -- John Henderson / J.C. -- Rowley and Chatterton -- Satanic school -- The killcrop -- Factory children -- William Gilbert.