The influence of fertility on the labor force behavior of married women /

Cover title.

Female biography; containing notices of distinguished women, in different nations and ages.

Mode of access: Internet.

Report of the women's institutes.

Report for 1896/1899- are included in the annual report of the Farmer's institutes of the province of Ontario.

A decade of Italian women.

Mode of access: Internet.

Four women, class of 1890

Detached notes: Louise Loving, Ann Arbor, UM 1890; Alice Damon, Concord, Massachusetts, UM, 1890; Franc [sic] Arnold, Allegan, UM 1890; Fanny Reed, Richland, UM, 1890. Taken January 1887

The guide to the U.S. department of Commerce for women business owners

Mode of access: Internet.

Emergency provisions of state laws regulating the hours of employment of women in manufacturing.

Mode of access: Internet.

The legal status of women in the United States of America /

Some numbers have multiple revisions.

Economic recovery tax act : selected provisions of interest to women.

Mode of access: Internet.

The Role of women in family transportation behavior : final report /

"This report is based on Teresa Bayes' and Sandra Hough's masters theses ... "--Pref.

Facts about women heads of households and heads of families.

"April 1973"--P. 10.

“How Do You ‘Do’ Bokeh?” The Aesthetics of How-to Videos about Background Blur and Eroticized Women

Producers of online instructional videos about bokeh emphasize disks of light and out-of-focus backgrounds. They demonstrate how camera lenses and technical features can render bokeh, or unfocused areas. Photographic and video bokeh ordinarily appears away from the center of attention. The bokeh genre, in opposition to typical photography and video practices, foregrounds the peripheral and proposes aesthetics and ways of looking by seeing and not seeing objects. However, producers of online instructional videos about bokeh sometimes couple their sensual aestheticization of backgrounds to their stated attempts to satisfy viewers’ investments in filling foregrounds with images of objectified women. These producers emphasize unconventional aesthetics as a means of establishing their creative and technical expertise and obscuring their reproduction of traditional conceptions of women as viewable and controllable. Close textual analysis, literature on photography and transparency, and feminist considerations of representation allow me to consider the aesthetics and functions of this how-to form.