Recherches sur l'anatomie normale et pathologique de la glande biliaire de l'homme.

Mode of access: Internet.

Researches, physiological and anatomical.

Mode of access: Internet.

Traité d'anatomie descriptive /

Half title: Anatomie descriptive.

Harry Beaufroy, or, The pupil of nature /

Cf. Osborne Coll., p. 824.

Thomæ Bartholini Anatome ex omnium veterum recentiorumque observationibus.

"Johannis Walæi epistolæ duæ: de motu chyli, et sanguinis: ad Thomam Bartholinum, Casp. filium. Editio decima": p. [759]-804.

Joannis Veslingii ... Syntagma anatomicum,

Head and tail pieces; initials. Engraved illustrations.

Thomæ Bartholini Historiarum anatomicarum rariorum. Centuria I et II-[V & VI]

Vol. [2-3] and special title-pages have title vignettes. Title-pages of v. [2-3] are in red and black.

A compend of histology,

Mode of access: Internet.

Lehrbuch der normalen anatomie des menschlichen körpers,

Mode of access: Internet.

Traité d'anatomie humaine.

T.3 pt.2.Appareil circulatoire (veines); appareil de la phonation; appareil respiratoire; corps thyroide, parathyroides,thymus, mediastin.--T.4. Système nerveux.

The action of muscles, including muscle rest and muscle re-education,

Bibliographical footnotes.

Anatomie générale : appliquée à la physiologie et à la médecine /

Also called (respectively): Tome premier, premiére partie; Tome second, premiére partie; Tome trosième, seconde partie; and Tome quatrième, seconde partie.

Self-instructional manual for tumor registrars /

Originally prepared for the Louisiana Regional Medical Program under the direction of C. Dennis Fink and Robert F. Ryan.

Manual of the anatomy and physiology of the human mind.

Mode of access: Internet.

Anatomy improv'd and illustrated with regard to the uses thereof in designing : not only laid down from an examen of the bones and muscles of the human body, but also demonstrated and exemplified from the most celebrated antique statues in Rome : exhibited in a great number of copper plates, with all the figures in various views : intended originally for ye use of the Royal French Academy of Painting and Sculpture /

Re-engraved by Michael van der Gucht and others after the original edition published at Rome in 1691.