Books about the Negro for children : the James Weldon Johnson collection, the New York Public Library /

"Reprinted from America [i.e. American] Unity, issued by the Council Against Intolerance in America, October, 1944."--p. [8]

Lives of twelve good men ...

Martin Joseph Routh.--Hugh James Rose.--Charles Marriott.--Edward Hawkins.--Samuel Wilberforce.--Richard Lynch Cotton.-Richard Greswell.--Henry Octavius Coxe.--Henry Longueville Mansel.--William Jacobson.--Charles Page Eden.--Charles Longuet Higgins.

Report of the speeches of counsel, and of the lord chancellor and Lord St. Leonards in moving the resolution, upon the claim of James, earl of Crawford and Balcarres to the original dukedom of Montrose (created in 1488) ... preceded by an address to Her Majesty ... and by an analysis of the argument as between the claimant and the officers representing the crown ... and followed by an appendix, containing the leading documents adduced and referred to /

Includes bibliographical references and index.

A book of prefaces /

Joseph Conrad.--Theodore Dreiser.--James Huneker.--Puritanism as a literary force.

Reports upon the botanical collections made in portions of Nevada, Utah, California, Colorado, New Mexico and Arizona, during the years, 1871, 1872, 1873, 1874, and 1875.

Mode of access: Internet.

The dramatic works and poems of James Shirley, now first collected : with notes by the late William Gifford, esq., and additional notes, and some account of Shirley and his writings /

v. 1. Some account of Shirley and his writings. Commendatory verses on Shirley. Love tricks, or, The school of complement. The maid's revenge. The brothers. The witty fair one. The wedding.--v. 2. The grateful servant. The traitor. Love's cruelty. Love in a maze. The bird in a cage. Hyde park.--v. 3. The ball. The young admiral. The gamester. The example. The opportunity. The coronation.--v. 4. The lady of pleasure. The royal master. The duke's mistress. The doubtful heir. St. Patrick for Ireland. The constant maid. The humorous courtier.--v. 5. The gentleman of Venice. The politician. The imposture. The cardinal. The sisters. The court secret.--v. 6. Honoria and Mammon. Chabot, admiral of France. The Arcadia. The triumph of peace. A contention for honour and riches. The triumph of beauty. Cupid and death. The contention of Ajax and Ulysses for the armour of Achilles. Poems.

Beyond the Bauhaus : Cultural Modernity in Breslau, 1918-1933 /

The Breslau arts scene during the Weimar period was one of the most vibrant in all of Germany, yet it has disappeared from memory and historiography. Breslau was a key center for innovative artistic production during the Weimar Republic; recovery of its history will shed new light on German cultural dynamics in the 1920s. Such a study has art historical significance because of the incredible extent of innovation that occurred in almost every intellectual field, advances that formed the basis for aesthetic modernism internationally and continue to affect the course of visual art and architecture today. Architecture education, just one example in many, is still largely based on a combination of the Bauhaus model from the 1920s and the model developed at the Breslau Academy of Fine and Applied Art. The exploratory attitude encouraged in Weimar era arts endeavors, as opposed to the conformism of academic art, is still a core value promoted in contemporary art and architecture circles. Given the long-lasting influence of Weimar culture on modernism one would expect to find a spate of studies examining every aspect of its cultural production, but this is not the case. Recent scholarship is almost exclusively focused on Berlin and the Dessau Bauhaus. Although both interests are understandable, the creative explosion was not confined to these cities but was part of a larger cultural ethos that extended into many of the smaller regional centers. The Expressionist associations the Blaue Reiter in Munich and Brücke in Dresden are two well-known examples. Equally, innovation was not confined to a few monumental projects like the Stuttgart Weissenhofsiedlung but part of a broader national cultural ethos. The dispersion of modernism occurred partly because of the political history of Germany as a loosely joined confederation of small city states and principalities that had strong individual cultural identities before unification in 1871 but also because of the German propensity to value and take intense pride in the Heimat, understood both as the hometown and the region. Heimatliebe translated into generous support for cultural institutions in outlying cities. Host to a roster of internationally acclaimed artists and architects, major collectors, arts organizations, museums, presses, galleries, and one of the premier German arts academies of the day, Breslau boasted a thriving modern arts scene until 1933 when the Nazis began their assault on so-called "degenerate" art. This book charts the cultural production of Breslau-based artists, architects, art collectors, urban designers, and arts educators, who were especially interesting because they operated in the space between the margins of Weimar-era cultural debates. Rather than accepting the radical position of the German avant-garde or the reactionary position of German conservatives, many Breslauers sought a middle ground. It is the first book in English to address this history and presents the history in a manner unique to any studies currently on the market. 'Beyond the Bauhaus' explores the polyvalent and contradictory nature of cultural production in Breslau in order to expand the cultural and geographic scope of Weimar history; the book asserts a reciprocal dimension to the relationship between regional culture and national culture, between centers like Breslau and the capital Berlin. With major international figures like the painters Otto Mueller and Oskar Moll, architects Hans Scharoun and Adolf Rading, urban planners Max Berg and Ernst May, collectors Ismar Littmann and Max Silberberg, and an art academy that by 1929 was considered the best in Germany, Breslau clearly had significance to narratives of Weimar cultural production. 'Beyond the Bauhaus' contributes the history of German culture during the Weimar Republic. It belongs alongside histories of art, architecture, urban design, exhibition, collecting, and culture; histories of the Bauhaus; histories of arts education more broadly; and German history. The readership would include those interested in German history; German art, architecture, urban design, planning, collecting, and exhibition history; in the avant-garde; the development of arts academies and arts pedagogy; and the history of Breslau and Silesia.

The life of King James the First /

Has added, engraved series t.p.

Imperial gazetteer of India ...

Editor for India, 1902-04, William Stevenson Meyer; 1905-09, Richard Burn; editor in England, James Sutherland Cotton.

Raemaekers' cartoon history of the war,

Mode of access: Internet.

Lives of twelve good men ...

Martin Joseph Routh.--Hugh James Rose.--Charles Marriott.--Edward Hawkins.--Samuel Wilberforce.--Richard Lynch Cotton.--Richard Greswell.--Henry Octavius Coxe.--Henry Longueville Mansel.--William Jacobson.--Charles Page Eden.--Charles Longuet Higgins.

Twice-born men : a clinic in regeneration ; a footnote in narrative to Professor William James's "The varieties of religious experience" /

Mode of access: Internet.

The extravaganzas of J. R. Planché, esq., (Somerset herald) 1825-1871.

Imperfect: List of subscribers wanting.

A narrative of the voyages round the world performed by Captain James Cook : with an account of his life during the previous and intervening periods /

First published in London, 1788, under title: The life of Captain James Cook.

The burden of Isis, being the laments of Isis and Nephthys; tr. from the Egyptian,

Series title also at head of t.-p.