Prozess des prinzen Ludwig Napoleon Bonaparte und seiner mitangeklagten vor dem pairshofe.

Original compiled by Albert Fermé.

Anecdota sive historia arcana Graece,

Greek and Latin on opposite pages.

Histoire de Jules César.

Mode of access: Internet.

La cour de Napoléon III /

Mode of access: Internet.

Portraits politiques contemporains / Napoléon III.

Mode of access: Internet.

Napoléon III,

Mode of access: Internet.

Teodora Ducaina Paleologhina, piombo unico inedito della collezione di S. E. R. Monsignor Lodovico de' principi altieri di Roma.

Mode of access: Internet.

Die Münzen Justinians.

Mode of access: Internet.

Min Gedenkschriften.

Mode of access: Internet.

Invasion of Mexico by the French; and the reign of Maximilian I., with a sketch of the Empress Carlota.

Mode of access: Internet.

The armies of the first French Republic and the rise of the marshals of Napoleon I ...

Preface signed: Charles F. Phipps.

General laws of the Independent Order of Odd-Fellows; to which is added the by-laws of Franklin Lodge, No. 2, I.O.O.F. Chartered Sept. 5, 1821.

Mode of access: Internet.

The chronicle of Pierre de Langtoft, in French verse from the earliest period to the death of King Edward I.

In 3 parts: the 1st an abridgment of Geoffrey of Monmouth's "Historia Britonum": the 2d, a history of the Anglo-Saxon and Norman kings to the death of Henry III; the 3d, a history of the reign of Edward I. The language is a specimen of the French of Yorkshire. cf. Introd.

The French Revolution of 1848 in its economic aspect: vol. I, Louis Blanc's Organisation du travail, vol. II. Émile Thomas's Histoire des ateliers nationaux;

List of books: vol. I, p. [xcviii]-xcix.

Anatomy improv'd and illustrated with regard to the uses thereof in designing : not only laid down from an examen of the bones and muscles of the human body, but also demonstrated and exemplified from the most celebrated antique statues in Rome : exhibited in a great number of copper plates, with all the figures in various views : intended originally for ye use of the Royal French Academy of Painting and Sculpture /

Re-engraved by Michael van der Gucht and others after the original edition published at Rome in 1691.