57 resultados para Seven sleepers of Ephesus.


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The translator's preface signed: B, i.e. G.A. Bürger.--Brit. Mus. Catalog.

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v.1. The first eleven books of the Antiquities of the Jews, with a table of the Jewish coins, weights and measures -- v.2. The last nine books of the Antiquities of the Jews, with the life of Flavius Josephus written by himself -- v.3. The seven books of the Jewish war, with two books against Apion, and a discourse concerning Hades, to which are added three dissertations concerning Jesus Christ, John the Baptist, James the Just, and God's command to Abraham, etc., and an index to the whole.

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v. 1-4. Modern painters.-v.5-6. The stones of Venice.-v.7. Seven lamps of architecture. Lectures on architecture and painting. The study of architecture. Poetry of architecture.-v.8. Two paths ... on art. Lectures on art. Political economy of art. Pre-Raphaelitism. Notes on the construction of sheepfolds. King of the golden river.-v.9. Elements of drawing. Elements of perspective. Aratra pentelici.-v.10. Ariadne Florentina. Fors clavigera.-v.11. Sesame and lilies. Ethics of the dust. Crown of wild olive. Queen of the air.-v.12. Time and tide. Unto this last. Munera pulveris. Eagle's nest.

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Imperfect: List of subscribers wanting.

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Grose's name does not appear on t.-p. of v. 2. After the death of Grose, who had "written and printed but seven pages of description," the work was completed by Edward Ledwich. cf. Pref.

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Bibliographical footnotes.

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Regents purchased south ten acres for $3000 in 1890. In 1902 UM received seven acres of land to the north from Dexter M. Ferry; became Ferry Field. In 1904 brick wall constructed on three sides and in 1906 gate and ticket office at northeast corner added (gift of Mr. Ferry). Wooden stands to accommodate 400 put up in 1893; burned in 1895. Rebuilt to seat 800 with later additions to facililties. By 1914, 13,600 accommodated. New stadium built in 1927. Stamp on verso: Ivory Photo

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Exquisite album of calligraphy (muraqqaʻ / murakkaa) employing ḥadīth of the Prophet executed by the celebrated Ottoman calligrapher Mahmud Celâleddin Efendi (d.1829) in imitation of a model executed by the master calligrapher Hafız Osman Efendi (d.1698).

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In Greek and German.

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Text in Greek.

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"Adnotationes Jo. Albertii ... [et al.] ... ": p. [63]-388.