54 resultados para Action and adventure films


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Reprint. Originally published: Philadelphia : Lippincott, 1888.

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C.W. Benedict, stereotyper, 201 William St., N.Y.

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Mode of access: Internet.

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Mode of access: Internet.

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v.l. Stories of love and revenge. v. 2. Stories of heroism and romance. v. 3. Stories of humor and adventure. v. 4. The betrothed lovers. v. 5. v. 6. The Spanish rogue. v. 7. Pepito Jiménez and Marta and Maria. v. 8. Tales of today and Spanish-American stories..̐

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Do the “democratization” of media and the proliferation of online participatory culture undermine the aesthetic hegemony of professional filmmakers? This article is a case study of both more and less popular animated Lego videos, also called “brickfilms,” that asks how amateur videos adhere to and/or depart from professionalized aesthetic standards. It addresses the definitions of professionalism and amateurism and proposes that the dichotomy between democratization and ongoing elitism is insufficient to describe the complex dialogue between professional film aesthetics and amateur production—a dialogue that is diverse but nonetheless follows certain patterns. These patterns link Lego videos to silent era cinema as well as contemporary professional live-action and stop-motion animation. Furthermore, a mixture of parody, pastiche, and homage suggest that amateur work has a variety of affective relationships to professional work. Ultimately, amateur filmmaking indicates a negotiation of professional standards rather than slavish adherence.

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Abridgments from the earliest date to the end of 1866 will be found in the general series, published 1859-70 in two volumes, together constituting Part I of abridgments on these subjects. It was intended to republish material from the general series as Part I of each of the Division volumes, but this wasnot done for Div. I-III. It was done for vols. IV-VI.