Chaminade pianoforte album : compositions. /

Cover title.

Making up,

Mode of access: Internet.

Zapiski rezhissera /

Issued in paper covers.

Publications of the Dunlap Society.

New Series. Contents. --no. 1. Daly, Charles Patrick. First theater in America. 1896. --no. 2. Pence, J. H. The magazine and the drama. --no. 4. Gladding, W. J. A group of theatrical caricatures. 1897. --no. 5. Greenwood, I. J. The circus. 1898. --no. 6. Mapes, Victor. Duse and the French. --no. 7. Winter, William. A wreath of laurel. --no. 8. Ford, Paul Leicester. Washington. 1899. --no. 9. Clapp, J. B. Players of the present. 1899-1901. --no. 11. Clapp, J. B. Players of the present. 1899-1901. --no. 12. Roden, Robert F. Later American plays. 1900. --no. 14. Edgett, E. F. Edward Loomis Davenport. 1901. --no. 15. Keese, W. L. A group of comedians.

Spectacular Disappearances : Celebrity and Privacy, 1696-1801 /

How can the modern individual control his or her self-representation when the whole world seems to be watching? This question is a familiar one amid the the twenty-first century's architecture of 24-hour newsrooms, chat rooms and interrogation rooms, but this book traces this question back to the stages, the pages, and the streets of eighteenth-century London--and to the strange and spectacular self-representations performed there by England's first modern celebrities. These self-representations include the enormous wig that the actor, manager, and playwright Colley Cibber donned in his most famous comic role as Lord Foppington--and that later reappeared on the head of Cibber's cross-dressing daughter, Charlotte Charke. They include the black page of 'Tristram Shandy,' a memorial to the parson Yorick (and his author Laurence Sterne), a page so full of ink that it cannot be read. And they include the puffs and prologues that David Garrick used to hiehgten his publicity while protecting his privacy; the epistolary autobiography, modeled on the sentimental novel, of Garrick's protégée George Anne Bellamy; and the elliptical poems and portraits of the poet, actress, and royal courtesan Mary Robinson, known throughout her life as Perdita. Linking all of these representations is a quality that Fawcett terms "over-expression." 'Spectacular Disappearances' theorizes over-expression as the unique quality that allows celebrities to meet their spectators' demands for disclosure without giving themselves away. Like a spotlight so brilliant it is blinding, these exaggerated but illegible self-representations suggest a new way of understanding some of the key aspects of celebrity culture, both in the eighteenth century and today. They also challenge many of the disciplinary divides between theatrical character and novelistic character in eighteenth-century studies, or between performance studies and literary studies today. Drawing on a wide variety of materials and methodologies, 'Spectacular Disappearances' provides an overlooked but indispensable history for scholars and students of celebrity studies, performance studies, and autobiography--as well as to anyone curious about the origins of the eighteenth-century self.

The Biography of the British stage : being correct narratives of the lives of all the principal actors & actresses .. Interspersed with original anecdotes and choice and illustrative poetry. To which is added, a comic poem, entitled "The actress."

Half-title: Theatrical biography.

Laou-seng-urh, or, "An heir in his old age." A Chinese drama.

"A brief view of the Chinese drama, and of their theatrical exhibitions": xlix p.

The Crimson Chest Finale

Inscription: THE CRIMSON CHEST FINALE, Photo by Lyndon

Junior Girls Play 1914

On verso: Alice Lloyd - later Dean of Women, had leading man's part. Catherine Reighard - other male lead - was Pres. of the Women's League. Dorothy Roehm - leading female role, was the 1915 class Sec'y. Nona Fogerty - pirate with black eye patch - AA girl - later of Fogerty Hat Shop, Liberty St. Abigail Shay Bassett - AA, an active and loyal alumnae, who donated this picture (A.B. '15, A.B.L.S. '28). Prof. Kenyon was the play producer and director. No men were ever allowed to see these plays!

Masaniello, the fisherman of Naples : an historical play in five acats.

Ascribed to Soane. cf. Genest, v. 9, p. 290-291; Theatrical Observer, Feb 17, 1825.

Oxberry's Dramatic biography and histrionic anecdotes.

Nos. 4-5 in a volume of pamphlets. Includes memoirs of Edmund Kean, Charles Young, and Mrs. Harriett Coutts.

The lyrical drama. Essays on subjects, composers, & executants of modern opera.

Extinction of the ballet. Operatic management. Musical agents. Libretti. Operatic and theatrical anomalies. The literary maltreatment of music. Dictionaries of music. Grove's musical dictionary. Quartett concerts and the classical in music. Reasonableness of opera. Tatra Füred, and the music of the Hungarian gipsies. The byeways of bookmaking.