Ottauo libro de madrigali a cinque voci con il basso continuo /

For canto, alto, tenore, quinto, basso, and basso continuo (unfigured).

Cent motets du XIIIe siècle, publiés d'après le manuscrit Ed. IV. 6 de Bamberg.

"Reprint of the 1908 Paris edition."

Serenata-ronda : coro para 8 voces mixtas sobre las canciones populares montañesas /

Pages 23-[26] contain blank staves.

L'arte musicale in Italia. : Pubblicazione nazionale delle più importanti opere musicali italiane dal secolo XIV al XVIII,

v. 1. Composizioni sacre e profane a più voci, secoli XIV, XV e XVI.--v. 2. Composizioni sacre e profane a più voci, secolo XVI.--v. 3. Composizioni per organo o cembalo, secoli XVI, XVII e XVIII.--v. 4. Composizioni a più voci, secolo XVII.--v. 5. Composizioni ad una e più voci, secolo XVII.--v. 6. La musica scenica, secolo XVII.--v. 7. Musica istrumentale, secolo XVII.

The Tyrolien lyre: a glee book, consisting of easy pieces arranged mostly for soprano, alto, tenor, and base [sic] voices, with and without piano-forte accompaniments; comprising a complete collection of solos, duetts, trios, quartetts, quintetts, choruses, &c. for the use of societies, schools, clubs, choirs, and the social circle,

Mode of access: Internet.

The Odeon :

Mode of access: Internet.

Canzonetti e madrigali per canto e pianoforte. [music] /

For 4 (SATB) or 5 SATTB) voices with acc. transcribed into modern notation for piano.

Erhart Oeglin's Liederbuch zu vier Stimmen, Augsburg 1512. Neue Partitur-Ausgabe.

For discantus, altus, tenor, and bassus; German words.

Le printemps.

Words by Baïf. Cf. Fétis, F. J. Biog. univ. des musiciens, v.5, p. 262.

The first booke of canzonets to two voices /

With piano accompaniment "for rehearsal only."

Lustgarten : eine Sammlung deutsche Lieder zu vier, fünf, sechs und acht Stimmen, nebst elf Instrumentalsätzen, 1601 /

For cantus, quinta, altus, tenor, and bassus.

Mélanges (premier fascicule)

For 3-5 voices.

The David Bispham treasury of song : selected choruses for mixed voices for home, school and community singing and for choral societies /

Mode of access: Internet.

Canzoni, sonetti, strambotti et frottole; libro tertio (Andrea Antico, 1517)

Composers named: Alessandro Mantoano, Bartolomeo Tromboncino, Marco Cara, Charpentras, Andrea Antico da Montona, Don Michele Vicentino, Filippo de Lurano.

English music (1604 to 1904) being the lectures given at the Music Loan Exhibition of the Worshipful Company of Musicians, held at Fishmongers' Hall, London Bridge, June-July, 1904.

The evolution of the pianoforte, by T.L. Southgate.- Our English songs, by W.H. Cummings.- The early English viols and their music, by H. Watson.- Madrigals, rounds, catches, glees, and part-songs, by E.M. Lee.- The recorder, flute, fife, and piccolo, by J. Finn.- Music in England in the year 1604, by Sir F. Bridge.- Our dances of bygone days, by A.S. Rose.- Masques and early operas, by A.H.D. Prendergast.- English opera after Purcell, by F.J. Sawyer.- Our cathedral composers and their works, by G.F. Huntley.- The single and double reed instruments, by D.J. Blaikley.- The water-organ of the ancients and the organ of to-day, by F.W. Galpin.- The regal and its successors: the harmonica, by T.L. Southgate.- The violin family and its music, by W.W. Cobbett.- The brass wind instruments, by J.E. Borland.- Some notes on early printed music, by A.H. Littleton.- Music of the country-side, by Sir E. Clarke.