55 resultados para Orpheus myth


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"A few books upon Celtic mythology and literature": p. 419-424.

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Reprinted from: Annals of the New York Academy of Sciences, vol. 25, May, 1916.

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Preface in Latin. Text in Greek.

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Original texts with English translations.

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Two dramas.

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pt. 1. Studies in the life of Heliogabalus. By O. F. Butler.--pt. 2. The myth of Hercules at Rome. By J. G. Winter.--pt. 3. Roman law studies in Livy. By A. E. Evans.--pt. 4. Reminiscences of Ennius in Silius Italicus. By L. B. Woodruff.

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Cover title.

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v.1 Lyrics and old world idlyls.--v.2. New world idylls and poems of love.--v.3. Nature poems.--v.4. Poems of mystery and of myth and romance.--v.5. Poems of meditation and of forest and field.

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Caption-title.

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Partly reprinted from various periodicals.

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Mode of access: Internet.

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Legends originally collected and published by H.R. Schoolcraft in his Algic researches, 1839; and The myth of Hiawatha, 1856; with many changes by the editor.

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Also published under the titles The Indian fairy book (1867) and The enchanted moccasins (1877).

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Sir Walter Scott is often regarded as the first historical novelist. Reinventing Liberty challenges this view by returning us to the rich range of historical fiction written in the late 18th and early 19th century. For the first time placing these works in the context of British politics and British history writing, this book redefines the historical novel, revealing a genre which seeks to manage political change through historiographical experimentation. It explores how historical novelists participated in a contentious debate concerning the nature of commercial modernity, the formulation of political progress and British national identity. Ranging across well-known writers, like William Godwin, Horace Walpole and Frances Burney, to lesser-known figures, such as Cornelia Ellis Knight and Jane Porter, Reinventing Liberty uncovers how history becomes a site to rethink Britain as ‘land of liberty’. Reading Scott in relation to this tradition, Reinventing Liberty demonstrates the genre’s troubled role in the construction of the myth of Britain as a nation of gradual, safe political change.

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A later edition (Philadelphia, 1856), with some additions and omissions, was published under the title: The myth of Hiawatha.