A highly important collection of original holograph manuscripts and original holograph correspondences by the world's most eminent actors ...

Mode of access: Internet.

The whirlwind, an historical romance; being the story of the French revolution as it was seen by René De Massac, deputy to the National assembly and general of the republic,

Mode of access: Internet.

Episodes of French history.

Mode of access: Internet.

Monumens de l'histoire de France, en estampes et dessins ...

The present 30 volumes seem to have remained with the Dukes of Leuchtenberg, until the ducal library was acquired for sale in 1935 by the dealers Ulrich Hoepli (Milan) and Braus-Riggenbach (Basel). The volumes are not complete, as leaves have been wholly or partly removed throughout; this is particularly evident in preliminary volumes 2 and 10 and volume 75. Prints and the relatively small number of drawings are mostly French, with some German, Dutch and English, and are mostly of the 17th or 18th centuries. They are mounted generally on rectos of leaves, often with hand-written captions. Large prints are occasionally bound in directly; these are often folded. The engraved general title page (bearing the date 1788) appears at the beginning of each volume; below the printed title a hand-written volume number and brief title describing the volume's contents usually appear. In many volumes the title leaf is followed by a hand-written contents leaf listing the section titles, which are also written individually throughout the volume on leaves with etched decorative frames. Sections are numbered continuously throughout the work as a whole. Numbering of the leaves, when present, appears in black ink within each volume at top center recto. Printmakers include B. & J. Audran, Francesco Bartolozzi, Abraham Bosse, Stefano della Bella, Jacques Callot, François Chéreau, Wenceslaus Hollar, Romeyn de Hooghe, Raymond La Fage, Sébastien Le Clerc, Pierre Lepautre, Claude Mellan, Bernard Picart, and Simon Thomassin. There are also early color prints by Gautier-Dagoty and Jean-Baptiste Morret.

Journal of my life during the French revolution.

Mode of access: Internet.

The Romaunt of the Rose : rendered out of the French into English by Geoffrey Chaucer; and illustrated by Keith Henderson & Norman Wilkinson of Four Oaks.

Bound in gray cloth; stamped in gold and blind; top edges gilt.

Catalogue of manuscripts and other objects in the museum of the Public record office, with brief descriptive and historical notes.

Mode of access: Internet.

Catalogue of the printed books and manuscripts in the John Rylands Library, Manchester.

An author catalog, compiled by Edward Gordon Duff.

The principal speeches of the statesmen and orators of the French revolution, 1789-1795;

v. 1. Mirabeau. Vergniaud. Gensonné. Guadet. Louvet. Cambon.--v. 2. Barère. Danton. Robespierre. Saint-Just. Baudin.

The Indian in his wigwam : or, Characteristics of the red race of America ; from original notes and manuscripts /

Originally issued in eight numbers, with paper covers bearing title: Onéota, or The red race of America ... The first four numbers were pub. in 1844, the last four in 1845. Reissued in one volume in 1845 under title: Onéota, or Characteristics of the red race of America ...; in 1847 under title: The red race of America ...; in 1848 under title: The Indian in his wigwam ...; in 1850 and 1851 under title: The American Indians ...; in 1853 under title: Western scenes and reminiscences ... cf. Sabin.

The gentleman and lady's key to polite literature, or, A compendious dictionary of fabulous history : containing the characters, and principal actions, ascribed to the heathen gods, goddesses, heroes, &c. and the manner in which the ancients represented the deities & heroes ... : intended for the assistance of those who would understand mythology, poetry, painting, statuary and theatrical entertainments, and particularly adapted to the use of Latin and French schools.

Frontispiece signed "Le Pautre." Engraved title-page.

A dictionarie of the French and English tongues. Reproduced from the 1st ed., London, 1611.

Mode of access: Internet.