52 resultados para Consultório sentimental


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Series title in part on t.-p.

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Swift, Jonathan. The Drapier's letters.--Pope, Alexander. The Dunciad.--Gay, John. The beggar's opera.--Chesterfield, Earl of. Selected letters to his son.-- Sterne, Laurence. A sentimental journey through France and Italy.--Walpole, Horace. The castle of Otranto.--Sheridan, R. B. The school for scandal.--Gibbon, Edward. Memoirs of my life and writings.--Blake, William. Songs of innocence and songs of experience.

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Vol. 2-3 have imprint: Habana, Impr. "El Siglo XX" de A. Miranda, 1916.

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"Of the Brunetiere edition of the Works of Gustave Flaubert 999 sets have been printed, this set being no. 401."

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For high voice and piano; French and English words.

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The King of Schnorrers.--The semi-sentimental dragon.--An honest log-roller.--A tragi-comedy of creeds.--The memory clearing house.--Mated by a waiter.--The principal boy.--An odd life.--Cheating the gallows.--Santa Claus.--A rose of the Ghetto.--A double-barrelled ghost.--Vagaries of a viscount.--The queen's triplets.--A successful operation.--Flutter-Duck: a Ghetto grotesque.

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Title from caption.

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Purchased from Gilman, Crompond, N.Y.

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"This edition. ... printed at the Westminster Press, New York, is limited to seven hundred and fifty sets; items in this set are numbered 21, 56, and 156."

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v. 1-2. The life and opinions of Tristram Shandy.--v. 3. A sentimental journey through France and Italy and The letters of Laurence Sterne to his most intimate friends, vol. I.--v. 4. The letters of Laurence Sterne to his most intimate friends, vols. II and III.--v. 5. The sermons of Mr. Yorick.--v. 6. Life, by Percy Fitzgerald, including memoirs of the life of the family of the late Rev. Mr. Laurence Sterne written by himself.

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Songs originally copyrighted between 1904 and 1906.

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How can the modern individual control his or her self-representation when the whole world seems to be watching? This question is a familiar one amid the the twenty-first century's architecture of 24-hour newsrooms, chat rooms and interrogation rooms, but this book traces this question back to the stages, the pages, and the streets of eighteenth-century London--and to the strange and spectacular self-representations performed there by England's first modern celebrities. These self-representations include the enormous wig that the actor, manager, and playwright Colley Cibber donned in his most famous comic role as Lord Foppington--and that later reappeared on the head of Cibber's cross-dressing daughter, Charlotte Charke. They include the black page of 'Tristram Shandy,' a memorial to the parson Yorick (and his author Laurence Sterne), a page so full of ink that it cannot be read. And they include the puffs and prologues that David Garrick used to hiehgten his publicity while protecting his privacy; the epistolary autobiography, modeled on the sentimental novel, of Garrick's protégée George Anne Bellamy; and the elliptical poems and portraits of the poet, actress, and royal courtesan Mary Robinson, known throughout her life as Perdita. Linking all of these representations is a quality that Fawcett terms "over-expression." 'Spectacular Disappearances' theorizes over-expression as the unique quality that allows celebrities to meet their spectators' demands for disclosure without giving themselves away. Like a spotlight so brilliant it is blinding, these exaggerated but illegible self-representations suggest a new way of understanding some of the key aspects of celebrity culture, both in the eighteenth century and today. They also challenge many of the disciplinary divides between theatrical character and novelistic character in eighteenth-century studies, or between performance studies and literary studies today. Drawing on a wide variety of materials and methodologies, 'Spectacular Disappearances' provides an overlooked but indispensable history for scholars and students of celebrity studies, performance studies, and autobiography--as well as to anyone curious about the origins of the eighteenth-century self.

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I-II. Tristram Shandy.--III. A sentimental journey through France and Italy. The history of a good warm watch-coat.--IV-V. Sermons.--VI. Letters. The posthumous works: The Koran: or, The life, character and sentiments of Tria Juncta in Uno ...

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Prefatory memoir to Sterne -- Prefatory memoir to Goldsmith --Prefatory memoir to Johnson -- Prefatory memoir to Mackenzie -- Prefatory memoir to Walpole -- Prefatory memoir to Clara Reeve -- Tristram Shandy / Laurence Sterne -- Sentimental journey / Laurence Sterne -- The Vicar of Wakefield / Oliver Goldsmith -- Rasselas / Samuel Johnson -- The Man of feeling / Henry Mackenzie -- The man of the world / Henry Mackenzie -- Julia de Roubigne / Henry Mackenzie -- The Castle of Otranto / Horace Walpole -- The Old English baron / Clara Reeve.

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Plates listed in v. 2 as 1 (frontispiece) & 2 relate to p. 327 & 345 of v. 1.