The method of teaching and studying the belles lettres; or, An introduction to languages, poetry, rhetoric, history, moral philosophy, physics, &c. : with reflections on taste, and instructions with regard to the eloquence of the pulpit, the bar, and the stage; the whole illustrated with passages from the most famous poets and orators, ancient and modern, with critical remarks on them; designed more particularly for students in the universities /

Translation of: De la manière d'enseigner et d'étudier les belles-lettres.

Modern Spanish lyrics

Music: p. 225-252

Passages from modern English poets.

Mode of access: Internet.

Archive of recorded poetry and literature; a checklist.

Mode of access: Internet.

Greece, ancient and modern. Lectures delivered before the Lowell institute.

v.1. First course: The Greek language and poetry. Second course: The life of Greece.--v.2. Third course: Constitutions and orators of Greece. Fourth course: Modern Greece.

Gems of the modern poets. With biographical notices.

Added title page engraved.

A guide to classical learning, or, Polymetis abridged ... : being a work necessary not only for classical instruction, but for all those who wish to have a true taste for the beauties of poetry, sculpture and painting /

Plate engraved by P. Fourdrinier.

The Modern Gilpin, or, The adventures of John Oldstock : in an excursion by steam from London to Rochester bridge : containing a passing glance at the principal places on the Thames and Medway : with notes /

Publisher's ads on back wrapper.

Lectures on general literature, poetry, &c., delivered at the Royal Institution in 1830 and 1831.

At head of title: Harper's stereotype edition.

Haverford essays; studies in modern literature

The logic of argument, by C.C. Hoag.--On Milton's knowledge of music, by S.G. Spaeth.--George Herbert: an interpretation, by W.S. Hinchman.--The younger Wordsworth, by C.H. Burr.--Vita nuova, chapters 24 to 28, by A.G.H. Spiers.--Some Franco-Scottish influences on the early English drama, by J.A. Lester.--Heine and Tennyson: an essay in comparative criticism, by C.W. Stork.--The Franklin's tale, by W.M. Hart.--Ipomedon: an illustration of romance origin, by C.H. Carter.--The Moors in Spanish popular poetry before 1600, by W.W. Comfort.

Introduction to modern French lyrics /

Mode of access: Internet.

Introduction to modern French lyrics /

Mode of access: Internet.

The modern book of French verse in English translations,

Photocopy.

Literary Coteries and the Making of Modern Print Culture, 1740-1790 /

Literary Coteries and the Making of Modern Print Culture, 1740-1790 offers the first study of manuscript-producing coteries as an integral element of eighteenth-century Britain’s literary culture. As a corrective to literary histories assuming that the dominance of print meant the demise of a vital scribal culture, the book profiles four interrelated and influential coteries, focusing on each group’s deployment of traditional scribal practices, on key individuals who served as bridges between networks, and on the aesthetic and cultural work performed by the group. Literary Coteries also explores points of intersection between coteries and the print trade, whether in the form of individuals who straddled the two cultures; publishing events in which the two media regimes collaborated or came into conflict; literary conventions adapted from manuscript practice to serve the ends of print; or simply poetry hand-copied from magazines. Together, these instances demonstrate how scribal modes shaped modern literary production.