19 questions and answers about Communist Party suppressed by the Detroit news /

Title from cover.

The Chinese Communist movement; an annotated bibliography of selected materials in the Chinese Collection of Hoover Institution on War,

Mode of access: Internet.

Operation America; the communist conspiracy in Latin America.

Includes bibliography.

India: toward an understanding; a de novo inquiry into the mind of India in search of an answer to the question: "Will India go communist?"

Mode of access: Internet.

Scientific and engineering manpower in Communist China, 1949-1963.

"NSF 65-15."

World communist movement ; selective chronology, 1818-1957.

Volume 1 issued as Committee print.

The Agricultural situation in the People's Republic of China and other Asian Communist countries.

Mode of access: Internet.

Research on sand control, Communist China.

Translation of: Chih-sha yen-chiu, no. 5, compiled by the Sand Control Group, Academia Sinica.

Eliciting Euphoria Online: The Aesthetics of “ASMR” Video Culture

“Autonomous Sensory Meridian Response” (ASMR) is a term that has emerged online to describe a mysterious tingling sensation that some people experience in response to particular audiovisual and interpersonal “triggers.” Initially coalescing via discussion threads on health forums, ASMR culture quickly began using platforms like YouTube and Reddit to exchange trigger videos. This paper frames the emergence of ASMR video culture as an example of how bodies and algorithms are conspiring to bring into being new cultural forms that can seem literally inexplicable on first encounter. Treating videos as “inputs,” judged not as messages to be understood or interpreted but by their ability to elicit particular affective and somatic “outputs,” ASMR communities cultivate a quasi-cybernetic relationship with the moving image, using video as a vehicle for “feeling out” phenomena that seem to thwart linguistic articulation and rational comprehension.

Amateurism and the Aesthetics of Lego Stop-Motion on YouTube

Do the “democratization” of media and the proliferation of online participatory culture undermine the aesthetic hegemony of professional filmmakers? This article is a case study of both more and less popular animated Lego videos, also called “brickfilms,” that asks how amateur videos adhere to and/or depart from professionalized aesthetic standards. It addresses the definitions of professionalism and amateurism and proposes that the dichotomy between democratization and ongoing elitism is insufficient to describe the complex dialogue between professional film aesthetics and amateur production—a dialogue that is diverse but nonetheless follows certain patterns. These patterns link Lego videos to silent era cinema as well as contemporary professional live-action and stop-motion animation. Furthermore, a mixture of parody, pastiche, and homage suggest that amateur work has a variety of affective relationships to professional work. Ultimately, amateur filmmaking indicates a negotiation of professional standards rather than slavish adherence.

“How Do You ‘Do’ Bokeh?” The Aesthetics of How-to Videos about Background Blur and Eroticized Women

Producers of online instructional videos about bokeh emphasize disks of light and out-of-focus backgrounds. They demonstrate how camera lenses and technical features can render bokeh, or unfocused areas. Photographic and video bokeh ordinarily appears away from the center of attention. The bokeh genre, in opposition to typical photography and video practices, foregrounds the peripheral and proposes aesthetics and ways of looking by seeing and not seeing objects. However, producers of online instructional videos about bokeh sometimes couple their sensual aestheticization of backgrounds to their stated attempts to satisfy viewers’ investments in filling foregrounds with images of objectified women. These producers emphasize unconventional aesthetics as a means of establishing their creative and technical expertise and obscuring their reproduction of traditional conceptions of women as viewable and controllable. Close textual analysis, literature on photography and transparency, and feminist considerations of representation allow me to consider the aesthetics and functions of this how-to form.

A Report on Communist colonialism and international communism.

"Special packet, July 1956."

Communist propaganda : Hearing before the Subcommittee to Investigate the Administration of the Internal Security Act and Other Internal Security Laws of the Committee on the Judiciary, United States Senate, Eighty-third Congress, second session.

Hearings held June 22-Oct.14. 1954.

Communist outlets for the distribution of Soviet propaganda in the United States. Hearings before the Committee on Un-American activities, House of Representatives, Eigh;ty-seventh Congress, second session.

Hearings held May 9-July 12, 1962.