Spectacular Disappearances : Celebrity and Privacy, 1696-1801 /

How can the modern individual control his or her self-representation when the whole world seems to be watching? This question is a familiar one amid the the twenty-first century's architecture of 24-hour newsrooms, chat rooms and interrogation rooms, but this book traces this question back to the stages, the pages, and the streets of eighteenth-century London--and to the strange and spectacular self-representations performed there by England's first modern celebrities. These self-representations include the enormous wig that the actor, manager, and playwright Colley Cibber donned in his most famous comic role as Lord Foppington--and that later reappeared on the head of Cibber's cross-dressing daughter, Charlotte Charke. They include the black page of 'Tristram Shandy,' a memorial to the parson Yorick (and his author Laurence Sterne), a page so full of ink that it cannot be read. And they include the puffs and prologues that David Garrick used to hiehgten his publicity while protecting his privacy; the epistolary autobiography, modeled on the sentimental novel, of Garrick's protégée George Anne Bellamy; and the elliptical poems and portraits of the poet, actress, and royal courtesan Mary Robinson, known throughout her life as Perdita. Linking all of these representations is a quality that Fawcett terms "over-expression." 'Spectacular Disappearances' theorizes over-expression as the unique quality that allows celebrities to meet their spectators' demands for disclosure without giving themselves away. Like a spotlight so brilliant it is blinding, these exaggerated but illegible self-representations suggest a new way of understanding some of the key aspects of celebrity culture, both in the eighteenth century and today. They also challenge many of the disciplinary divides between theatrical character and novelistic character in eighteenth-century studies, or between performance studies and literary studies today. Drawing on a wide variety of materials and methodologies, 'Spectacular Disappearances' provides an overlooked but indispensable history for scholars and students of celebrity studies, performance studies, and autobiography--as well as to anyone curious about the origins of the eighteenth-century self.

Now they belong to the ages : Abraham Lincoln and his contemporaries in Oak Ridge Cemetery /

"The papers of Abraham Lincoln is a project of Abraham Lincoln Presidential Library and Museum, Illinois Historic Preservation Agency, co-sponsored by the University of Illinois at Springfield. funding for Series I: Legalpapers provided by Abraham Lincoln Association, National Historical Publications and Records Commission, National Endowment for the Humanities, Shelby Cullom Davis Foundation. funding for SeriesII: Illinois Papers and Series III: Presidential papers provided by National Endowment for the Humanities"--P. 2 of cover.

Galleria di ragusei illustri.

Reprint. Originally published: Ragusa : P. F. Martecchini, 1841.

Gossip of the century; personal and traditional memories--social, literary, artistic, &c.

Two additional volumes, under the title "Social hours with celebrities, being the third and fourth volumes of 'Gossip of the century'," were published in 1898, edited by Rachel Harriette Busk.

Perley's reminiscences of sixty years in the national metropolis /

Includes index.