251 resultados para Vaughan Williams, British, English, modernism, symphony, opera, reception, pastoralism


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"Supplement to parts VII. and VIII.": pt: 8, p. [2981]-3064.

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Formerly attributed to Étienne de Besançon but apparently the work was not composed until some years after his death in 1292; more probably by Arnoldus of Liége. cf. Catalogue of romances in the Department of Manuscripts in the Brit. Museum, v. 3, p. 423-438; The Library, Jan. 1905, p. 94-101.

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Introductions in English.

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Introduction in English.

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Mode of access: Internet.

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Imprint varies. No. 24-34 published: Liverpool : Liverpool University Press.

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The evolution of the pianoforte, by T.L. Southgate.- Our English songs, by W.H. Cummings.- The early English viols and their music, by H. Watson.- Madrigals, rounds, catches, glees, and part-songs, by E.M. Lee.- The recorder, flute, fife, and piccolo, by J. Finn.- Music in England in the year 1604, by Sir F. Bridge.- Our dances of bygone days, by A.S. Rose.- Masques and early operas, by A.H.D. Prendergast.- English opera after Purcell, by F.J. Sawyer.- Our cathedral composers and their works, by G.F. Huntley.- The single and double reed instruments, by D.J. Blaikley.- The water-organ of the ancients and the organ of to-day, by F.W. Galpin.- The regal and its successors: the harmonica, by T.L. Southgate.- The violin family and its music, by W.W. Cobbett.- The brass wind instruments, by J.E. Borland.- Some notes on early printed music, by A.H. Littleton.- Music of the country-side, by Sir E. Clarke.

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Binders title: Library edition of the British poets.

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"Biographical and bibliographical notes": p. [425]-436.