Le salon de 1897; cent planches en photogravure et à l'eauforte et un fac-simile en couleurs

Issued in 12 parts.

Italienische portraitsculpturen des XV. jahrhunderts in den Königlichen museen zu Berlin,

Mode of access: Internet.

A history of American art,

v. 1. American art before 1828. Our landscape painters. The old school.--v. 2. American sculpture. The graphic arts. American art in Europe. Latest phases.

Joannis Olivae Rhodigini In marmor Isiacum Romae nuper effossum exercitationes.

Engraved title vignette (printer's device), head-pieces and pictorial initials. Title printed in red and black.

Kurzes Verzeichnis der Gemälde und Skulpturen der Städtischen Kunstsammlung.

Mode of access: Internet.

Kurzes Verzeichnis der Abgüsse nach antiken Bildwerken im Archäologischen Institut der Universität Heidelberg.

Pref. signed: F. von Duhn.

Trade secrets : a collection of practical receipts for the use of sculptors, modellers, stone masons, builders, marble masons, polishers, &c. ; to which is added a description of the various stones in the United Kingdom suitable for monumental purposes, &c. /

A list of works by the author included at end of volume.

The man Shakespeare and his tragic life-story,

"To prove from Shakespeare's works that he has painted himself twenty times from youth till age at full length."--Introd.

Roman portraits.

Text signed: Gisela M. A. Richter.

Catalogue of Greek sculptures

Includes bibliographical references.

Projects in design.

At head of title: Sculpture and architecture; also the author's name, Szukalski.

Die Polychromie in der antiken Skulptur.

Pr.

Houdon in America : a collection of documents in the Jefferson papers in the Library of Congress /

Mode of access: Internet.

Handbook of the Greek collection,

Mode of access: Internet.

Koran : manuscript, [1887 or 8].

Illumination on pp. [1-2]; chapter headings illuminated; gold dots and foliate flourishes mark verse and chapter endings; text enclosed in wide gold borders; illuminated marginal rosettes mark division of text into thirtieths (juzʼ) and sixtieths (ḥizb); gilder's name at bottom of p. [522]: dhahhabahu Bahāʼ al-Dīn bin Tawfīq; edges gilded with foliate patterns; green leather endpages painted with gold and silver sunburst designs; binding gold-stamped and painted in silver and gold foliate designs.