A brief history of the first decade of the National League of Women Workers, 1898 to 1908.

Cover title.

The history and literature of the Israelites according to the Old Testament and the Apocrypha.

Preface signed: C. de Rothschild (and) A. de Rothschild.

Conservative gynecology and electro-therapeutics; a practical treatise on the diseases of women and their treatment by electricity,

Mode of access: Internet.

The literature of the age of Elizabeth.

"These essays...were originally delivered as lectures before the Lowell Institute, in the spring of 1859, and were first printed in the Atlantic monthly during the years 1867 and 1868."

How to locate educational information and data; an aid to quick utilization of the literature of education

Mode of access: Internet.

Treatise on the diseases of women, for the use of students and practitioners;

Mode of access: Internet.

Weinhold pamphlets: German literature of 18th century.

Mode of access: Internet.

Essays by divers hands : being the transactions of the Royal Society of Literature of the United Kingdom.

Title varies slightly.

The literature of working men; being the supplementary numbers of The Working man's friend, from March, 1850 to February, 1851, inclusive.

Mode of access: Internet.

The literature of the Church of England indicated in selections from the writings of the eminent divines: with memoirs of their lives, and historical sketches of the times in which they lived.

Mode of access: Internet.

Woman's mission; a series of congress papers on the philanthropic work of women, by eminent writers.

At head of title: Royal British commission, Chicago exhibition, 1893.

An historical catalogue of portraits, representing distinguished persons in the history and literature of the United Kingdom.

Catalog of an exhibition held at the British Institution for Promoting the Fine Arts in the United Kingdom.

“How Do You ‘Do’ Bokeh?” The Aesthetics of How-to Videos about Background Blur and Eroticized Women

Producers of online instructional videos about bokeh emphasize disks of light and out-of-focus backgrounds. They demonstrate how camera lenses and technical features can render bokeh, or unfocused areas. Photographic and video bokeh ordinarily appears away from the center of attention. The bokeh genre, in opposition to typical photography and video practices, foregrounds the peripheral and proposes aesthetics and ways of looking by seeing and not seeing objects. However, producers of online instructional videos about bokeh sometimes couple their sensual aestheticization of backgrounds to their stated attempts to satisfy viewers’ investments in filling foregrounds with images of objectified women. These producers emphasize unconventional aesthetics as a means of establishing their creative and technical expertise and obscuring their reproduction of traditional conceptions of women as viewable and controllable. Close textual analysis, literature on photography and transparency, and feminist considerations of representation allow me to consider the aesthetics and functions of this how-to form.