293 resultados para Moliere, 1622-1673


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The present 30 volumes seem to have remained with the Dukes of Leuchtenberg, until the ducal library was acquired for sale in 1935 by the dealers Ulrich Hoepli (Milan) and Braus-Riggenbach (Basel). The volumes are not complete, as leaves have been wholly or partly removed throughout; this is particularly evident in preliminary volumes 2 and 10 and volume 75. Prints and the relatively small number of drawings are mostly French, with some German, Dutch and English, and are mostly of the 17th or 18th centuries. They are mounted generally on rectos of leaves, often with hand-written captions. Large prints are occasionally bound in directly; these are often folded. The engraved general title page (bearing the date 1788) appears at the beginning of each volume; below the printed title a hand-written volume number and brief title describing the volume's contents usually appear. In many volumes the title leaf is followed by a hand-written contents leaf listing the section titles, which are also written individually throughout the volume on leaves with etched decorative frames. Sections are numbered continuously throughout the work as a whole. Numbering of the leaves, when present, appears in black ink within each volume at top center recto. Printmakers include B. & J. Audran, Francesco Bartolozzi, Abraham Bosse, Stefano della Bella, Jacques Callot, François Chéreau, Wenceslaus Hollar, Romeyn de Hooghe, Raymond La Fage, Sébastien Le Clerc, Pierre Lepautre, Claude Mellan, Bernard Picart, and Simon Thomassin. There are also early color prints by Gautier-Dagoty and Jean-Baptiste Morret.

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"Vita di Salvator Rosa" signed Giosuè Carducci.

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Includes letters from John Eliot, John Wilson, William Leverich, Anthony Bessey, Thomas Mayhew, John Endecott, William French and Thomas Allen. The Epistle dedicatory is signed by William Steele. "To the reader" signed: William Gouge [and seventeen others].

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--v. 25 Romeo and Juliet; the 1st quarto, 1597.--v. 26 Romeo and Juliet; the 2nd quarto, 1599.--v. 27 King Henry V; the 1st quarto, 1600.--v. 28 King Henry V; the 3rd quarto, 1608.--v. 29 Titus Andronicus; the 1st quarto, 1600.--v. 30 Sonnets; the 1st quarto, 1609.--v. 31 Othello; the 1st quarto, 1622.--v. 32 Othello, the 2nd quarto, 1630.--v. 33 King Lear; the 1st quarto, 1608.--v. 34 King Lear; the 2nd quarto, 1608.--v. 35 Lucrece; the 1st quarto, 1594.--v. 36 Romeo and Juliet; the undated quarto.--v. 37 First part of the Contention; the 1st quarto, 1594.--v. 38 True tragedy; the 1st quarto, 1595.--v. 39 Famous victories of Henry the fifth; the earliest known quarto, 1598.--v. 40-41 The troublesome raigne of John, king of England; the 1st quarto, 1591.--v. 42 Richard the third; the 3rd quarto 1602.--v. 43 Richard the third; the 6th quarto, 1622.

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Vol. II has subtitle: Tables of vernal equinoxes and new moons for 3555 years. 1. In old style from B.C. 1622-A.D. 1934. 2. In new style from the English reformation of the calendar, A.D 1752 to A.D. 1934; computed from prophetic times in the book of Daniel regarded as astronomical cycles.

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Vol. 4, no. 1, includes "a supplement containing an abridgment of the laws of Maryland for the year 1809 (containing those general laws which are omitted in Maxcy's edition) and the acts of general interest passed in 1810, and the commencement of 1811"

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Includes index.

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Cover title: Tumat yesharim.

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Jan Steen; 3 ft. 7 15/32 in.x 4 ft. 9 7/8 in.; oil on canvas

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Frans Hals; 4 ft. 7 1/8 in.x 5 ft. 5 35/64 in.; oil on canvas

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Frans Hals; 4 ft. 7 1/8 in.x 5 ft. 5 35/64 in.; oil on canvas

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Hendrick ter Brugghen; 3 ft. 6 53/64 in.x 4 ft. 5 47/64 in.; oil on canvas