194 resultados para Crane


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Top Row: George Kiesel, Howard Wikel

4th Row: Alan Schwartz, Art Renner, William Rudolph, Ray Sturgess, Farnum Johnson, Fenwick Crane, George Kreager, Bob Oren, John Crandell, Fred Bryan, Lewis Wheeler

3rd Row: Donald Lund, Robert Rennebohm, Henry Olshanski, Fred Negus, Elroy Hirsch, Jim Aliber, James Brown, Walter Dreyer, William Daley, John Gallagher Robert Hanzlik

2nd Row: Ralph Ammtutz, Robert Kennedy, Clifton Myll, Earl Maves, James Holgate, Robert Wiese, Jack Trump, Hugh Mack, Joe Ponsetto, Bill Culligan, John Greene

Front Row: Dick Manning, Jim Brieske, Bob Stenberg, Mervin Pregulman, Bob Nussbaumer, Paul White, Jack Wink, Jack Petoskey, Rudy Smeja, Bob Fischer, Harold Watts, Clement Bauman

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L-R: Richard Crane, Ernest Brick, captain Johann Rorich, James Vose, Charles Hodgman

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Back: James Vose, Paul Jerome

Front: Earl Krickbaum, captain Richard Crane, Richard Elliott

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L-R: Richard Crane, James Vose, captain Earl Krickbaum, Leighton Stephens, Irwin Olian

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Top Row: Douglas G. Pointon, Anne M. Laliberte, Anne T. Reaume, Karen R. Anderson, Margaret A. Mehall, Laura Meintel(Cepko), Sharon M. Milberger, Felicia I. Kle??, Pamela J. DcKeyser, Kathryn G. Maudlin, Mary C. Downey, Julie A. Gergen, Anne K. Hubling, Helen Mourao, Deborah L. Dubrul, Sarah E. Whorf

Row 2: Andrea Mitchell, Karen E. Grost, Paula V. Nersesian, Kelly A. Fleming, Mary Beth Morton, Lynda L. Cooley, Cynthia A. Wandzel, Deborah L. Bach, Karen A. Schwartz, Rhonda G. Pasma, Lesley M. Shafer, Michelle A. Kauer, Mary Jo Raftery, Carol A. Hammell, Josephine G. Ratcliffe

Row 3: Shon A. Pilarski, Julie S. Peritz, Terri L. McPherson, Tina T. chandler, Janet C. Pinkerton, Rosanna M. Knapp, Lisa A. Krukowski, Madelyn L. Nichols, Jaleh Shafii, Elizabeth A. Beer, Molly A. Finn, Dyann E. Botsford, Kathryn J. Meier, Angela L. Bruder (Crane), Herlinda Olive-Downs, Laura B. Bailey

Row 4: Laura L. Brooks, Lisa K. Feezell

Row 5: Cindy L. Harvey, Kerri A. Bacsanyi, Diane R. Cepko, Sheila E. Falk, Marylin A. Jeromin, Marianne Gerard, Sharon L. Podeszwa, Lynette A. LaPratt, Mary Ann Williams, Diana L. Faulk, Christine L. Henriksen, Sharon M. LaMacchia

Row 6: Deborah A. ranazzi (Maxim), Debra J. Mitchell, Holly B. O'Brien, Elaine K. Hebda, Jeanne L. Bruff, Crystal M. Emery, Cleola Hinton, Kathleen T. Hutton, Holly L. Nelson, Karen F. Kraker

Row 7: Meghan A. Sweeney, Christine M. Olree, Marlynn J. Marroso, Toni L. Lowery, Catherine L. Carroll, Elisabeth A. Pennington, Shake Ketefian, Rhetaugh G. Dumas, Janice B. Lindberg, Marlene Rutledge, Kimberley A. Vnuk, Anne M. Walsh, Rae Ann Vander Weide, Cheryl L. Boyd

Row 8: Renee M. Marks, Janine M. Simon, Renee A. Bowles, Linda Kurpinski-Nabozny, Teresa E. Ohman, Joanna E. Bok, Jodi F. Siegel, Janeen M. Chebli, Susan M. Williamson, Mary M. Fedewa, Rose Marie Stacey, Angela J. DeWitt, Kim E. Whelan, Lyndall P. Miller

Row 9: Jean M. Dziurgot, Amy J. Elwart, Lorrie A. Sheck, Amy A. Plasman, Mary L. Schuette, Susan K. Bowen, Heather A. Woodward, Luann N. Richert, Laurie J. Schlukebir, Linda L. Stevenson(Said), Carolyn N. Hartke, Rebecca L. Evans, Kathryn A. Savage, Kathryn A. Sailus (Linden), Heidi Deininger, Jennifer J. Eppley

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Top Row: Lisa Abe, Benita C. Aldrich, Elizabeth A. Alexander, Christina Andrakovich, Andrea A Astalos, Aimee K. Baptiste, Jacqueline A. Baransri, Paula A. Bonell, Tonya T. Boven, Sara L. Briggs, Heidi M. Brogger, Maureen A. Burns, Mike R. Byrd

Row 2: Julie A. Camilleri, Maria C. Cano, Sally J. Clement, Martra Finneren, Elizabeth Lobbestael-Monte, Cherryl Drongowski, Laura Stuckey, Elizabeth Scamperle, Amy Wenk, Karin B. Colvin, Gloria R. Crandall, Kristen T. Crane

Row 3: Rita J. Curtis, Cheri K. Davis, Patrick Ahearne, Lynne Yarger, Patricia Tibbits, Kathleen Donahoe, Rosemary Defever, Theresa A. Dietz

Row 4: Maureen Donnelly, Alysse E. Donohue, Susan Holmes, Tina Alexandris, Pam S. Dunbrock, Beth A. Elya

Row 5: Michelle L. Everly, Nazanin Farah, Kathie Fetting, Tanya Meier, Richard A. Fons, Cheryl D. Ford

Row 6: Tonya M. Forton, Alvira Galbraith, Holly B. Goldrick, Sally Sample, Violet Barkauskas, Rhetaugh G. Dumars, Share' Ketefian, Janice B. Lindberg, Elizabeth Pennington, Cheryl A. Grega, Michelle L. grinwis, Paula C. Haffner

Row 7: Peggy A. Harper, Michele R. Haseluhn, Christina M. Hayosh, Michele M. Hopkins, Martha A. James, Elizabeth J. Jameson, Jan I. Joyce, Henry Justusson, Shamrock E. Kealy, Linda A. Kendall, Karrie C. Kerby, Diane M. Kilian, Rene E. Kloosterman, Marie T. Kolar

Row 8: Regina M. Kudla, Julie A. Lasecki, Jenny K. Lindholm, Beth M. Luttrell, Mary E. Malone, Tami J. Nishon, Leah D. Olson, Lori J. Painter, Peggy A. Paulson, Jill A. Rodman, Sherri R. Runciman, Joanne A. Sandler, Patricia L. Sano

Row 9: Leah A. Shults, Catherine E. Slusher, Jennifer A. Snell, Abbe E. Sorin, Iliana I. Staneva, Jennifer R. Stouffer, Jane A. Tanton, Margaret O. Tear, Andrea L. Vandenbergh, Michele M. Vandenburg, Carol A. Waycott, Julie A. Westmeyer, Jane C. Zapytowski, Patricia L. Zickuhr

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The international perspectives on these issues are especially valuable in an increasingly connected, but still institutionally and administratively diverse world. The research addressed in several chapters in this volume includes issues around technical standards bodies like EpiDoc and the TEI, engaging with ways these standards are implemented, documented, taught, used in the process of transcribing and annotating texts, and used to generate publications and as the basis for advanced textual or corpus research. Other chapters focus on various aspects of philological research and content creation, including collaborative or community driven efforts, and the issues surrounding editorial oversight, curation, maintenance and sustainability of these resources. Research into the ancient languages and linguistics, in particular Greek, and the language teaching that is a staple of our discipline, are also discussed in several chapters, in particular for ways in which advanced research methods can lead into language technologies and vice versa and ways in which the skills around teaching can be used for public engagement, and vice versa. A common thread through much of the volume is the importance of open access publication or open source development and distribution of texts, materials, tools and standards, both because of the public good provided by such models (circulating materials often already paid for out of the public purse), and the ability to reach non-standard audiences, those who cannot access rich university libraries or afford expensive print volumes. Linked Open Data is another technology that results in wide and free distribution of structured information both within and outside academic circles, and several chapters present academic work that includes ontologies and RDF, either as a direct research output or as essential part of the communication and knowledge representation. Several chapters focus not on the literary and philological side of classics, but on the study of cultural heritage, archaeology, and the material supports on which original textual and artistic material are engraved or otherwise inscribed, addressing both the capture and analysis of artefacts in both 2D and 3D, the representation of data through archaeological standards, and the importance of sharing information and expertise between the several domains both within and without academia that study, record and conserve ancient objects. Almost without exception, the authors reflect on the issues of interdisciplinarity and collaboration, the relationship between their research practice and teaching and/or communication with a wider public, and the importance of the role of the academic researcher in contemporary society and in the context of cutting edge technologies. How research is communicated in a world of instant- access blogging and 140-character micromessaging, and how our expectations of the media affect not only how we publish but how we conduct our research, are questions about which all scholars need to be aware and self-critical.

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Mode of access: Internet.

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"Prepared in the Bureau of government of the University of Michigan."-Pref.

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Mode of access: Internet.

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"List of works to be consulted": p.xlvii-lvii.Contents.--L'Hotel de Rambouillet.--Mademoiselle de Scudery et les femmes savantes.--Les precieuses.--Les regles de la civilte.--Notes.

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Biographical sketches comprise last part of v. 2 and all of v. 3.