194 resultados para Crane
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Top Row: George Kiesel, Howard Wikel
4th Row: Alan Schwartz, Art Renner, William Rudolph, Ray Sturgess, Farnum Johnson, Fenwick Crane, George Kreager, Bob Oren, John Crandell, Fred Bryan, Lewis Wheeler
3rd Row: Donald Lund, Robert Rennebohm, Henry Olshanski, Fred Negus, Elroy Hirsch, Jim Aliber, James Brown, Walter Dreyer, William Daley, John Gallagher Robert Hanzlik
2nd Row: Ralph Ammtutz, Robert Kennedy, Clifton Myll, Earl Maves, James Holgate, Robert Wiese, Jack Trump, Hugh Mack, Joe Ponsetto, Bill Culligan, John Greene
Front Row: Dick Manning, Jim Brieske, Bob Stenberg, Mervin Pregulman, Bob Nussbaumer, Paul White, Jack Wink, Jack Petoskey, Rudy Smeja, Bob Fischer, Harold Watts, Clement Bauman
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L-R: Richard Crane, Ernest Brick, captain Johann Rorich, James Vose, Charles Hodgman
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Back: James Vose, Paul Jerome
Front: Earl Krickbaum, captain Richard Crane, Richard Elliott
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L-R: Richard Crane, James Vose, captain Earl Krickbaum, Leighton Stephens, Irwin Olian
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Top Row: Douglas G. Pointon, Anne M. Laliberte, Anne T. Reaume, Karen R. Anderson, Margaret A. Mehall, Laura Meintel(Cepko), Sharon M. Milberger, Felicia I. Kle??, Pamela J. DcKeyser, Kathryn G. Maudlin, Mary C. Downey, Julie A. Gergen, Anne K. Hubling, Helen Mourao, Deborah L. Dubrul, Sarah E. Whorf
Row 2: Andrea Mitchell, Karen E. Grost, Paula V. Nersesian, Kelly A. Fleming, Mary Beth Morton, Lynda L. Cooley, Cynthia A. Wandzel, Deborah L. Bach, Karen A. Schwartz, Rhonda G. Pasma, Lesley M. Shafer, Michelle A. Kauer, Mary Jo Raftery, Carol A. Hammell, Josephine G. Ratcliffe
Row 3: Shon A. Pilarski, Julie S. Peritz, Terri L. McPherson, Tina T. chandler, Janet C. Pinkerton, Rosanna M. Knapp, Lisa A. Krukowski, Madelyn L. Nichols, Jaleh Shafii, Elizabeth A. Beer, Molly A. Finn, Dyann E. Botsford, Kathryn J. Meier, Angela L. Bruder (Crane), Herlinda Olive-Downs, Laura B. Bailey
Row 4: Laura L. Brooks, Lisa K. Feezell
Row 5: Cindy L. Harvey, Kerri A. Bacsanyi, Diane R. Cepko, Sheila E. Falk, Marylin A. Jeromin, Marianne Gerard, Sharon L. Podeszwa, Lynette A. LaPratt, Mary Ann Williams, Diana L. Faulk, Christine L. Henriksen, Sharon M. LaMacchia
Row 6: Deborah A. ranazzi (Maxim), Debra J. Mitchell, Holly B. O'Brien, Elaine K. Hebda, Jeanne L. Bruff, Crystal M. Emery, Cleola Hinton, Kathleen T. Hutton, Holly L. Nelson, Karen F. Kraker
Row 7: Meghan A. Sweeney, Christine M. Olree, Marlynn J. Marroso, Toni L. Lowery, Catherine L. Carroll, Elisabeth A. Pennington, Shake Ketefian, Rhetaugh G. Dumas, Janice B. Lindberg, Marlene Rutledge, Kimberley A. Vnuk, Anne M. Walsh, Rae Ann Vander Weide, Cheryl L. Boyd
Row 8: Renee M. Marks, Janine M. Simon, Renee A. Bowles, Linda Kurpinski-Nabozny, Teresa E. Ohman, Joanna E. Bok, Jodi F. Siegel, Janeen M. Chebli, Susan M. Williamson, Mary M. Fedewa, Rose Marie Stacey, Angela J. DeWitt, Kim E. Whelan, Lyndall P. Miller
Row 9: Jean M. Dziurgot, Amy J. Elwart, Lorrie A. Sheck, Amy A. Plasman, Mary L. Schuette, Susan K. Bowen, Heather A. Woodward, Luann N. Richert, Laurie J. Schlukebir, Linda L. Stevenson(Said), Carolyn N. Hartke, Rebecca L. Evans, Kathryn A. Savage, Kathryn A. Sailus (Linden), Heidi Deininger, Jennifer J. Eppley
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Top Row: Lisa Abe, Benita C. Aldrich, Elizabeth A. Alexander, Christina Andrakovich, Andrea A Astalos, Aimee K. Baptiste, Jacqueline A. Baransri, Paula A. Bonell, Tonya T. Boven, Sara L. Briggs, Heidi M. Brogger, Maureen A. Burns, Mike R. Byrd
Row 2: Julie A. Camilleri, Maria C. Cano, Sally J. Clement, Martra Finneren, Elizabeth Lobbestael-Monte, Cherryl Drongowski, Laura Stuckey, Elizabeth Scamperle, Amy Wenk, Karin B. Colvin, Gloria R. Crandall, Kristen T. Crane
Row 3: Rita J. Curtis, Cheri K. Davis, Patrick Ahearne, Lynne Yarger, Patricia Tibbits, Kathleen Donahoe, Rosemary Defever, Theresa A. Dietz
Row 4: Maureen Donnelly, Alysse E. Donohue, Susan Holmes, Tina Alexandris, Pam S. Dunbrock, Beth A. Elya
Row 5: Michelle L. Everly, Nazanin Farah, Kathie Fetting, Tanya Meier, Richard A. Fons, Cheryl D. Ford
Row 6: Tonya M. Forton, Alvira Galbraith, Holly B. Goldrick, Sally Sample, Violet Barkauskas, Rhetaugh G. Dumars, Share' Ketefian, Janice B. Lindberg, Elizabeth Pennington, Cheryl A. Grega, Michelle L. grinwis, Paula C. Haffner
Row 7: Peggy A. Harper, Michele R. Haseluhn, Christina M. Hayosh, Michele M. Hopkins, Martha A. James, Elizabeth J. Jameson, Jan I. Joyce, Henry Justusson, Shamrock E. Kealy, Linda A. Kendall, Karrie C. Kerby, Diane M. Kilian, Rene E. Kloosterman, Marie T. Kolar
Row 8: Regina M. Kudla, Julie A. Lasecki, Jenny K. Lindholm, Beth M. Luttrell, Mary E. Malone, Tami J. Nishon, Leah D. Olson, Lori J. Painter, Peggy A. Paulson, Jill A. Rodman, Sherri R. Runciman, Joanne A. Sandler, Patricia L. Sano
Row 9: Leah A. Shults, Catherine E. Slusher, Jennifer A. Snell, Abbe E. Sorin, Iliana I. Staneva, Jennifer R. Stouffer, Jane A. Tanton, Margaret O. Tear, Andrea L. Vandenbergh, Michele M. Vandenburg, Carol A. Waycott, Julie A. Westmeyer, Jane C. Zapytowski, Patricia L. Zickuhr
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The international perspectives on these issues are especially valuable in an increasingly connected, but still institutionally and administratively diverse world. The research addressed in several chapters in this volume includes issues around technical standards bodies like EpiDoc and the TEI, engaging with ways these standards are implemented, documented, taught, used in the process of transcribing and annotating texts, and used to generate publications and as the basis for advanced textual or corpus research. Other chapters focus on various aspects of philological research and content creation, including collaborative or community driven efforts, and the issues surrounding editorial oversight, curation, maintenance and sustainability of these resources. Research into the ancient languages and linguistics, in particular Greek, and the language teaching that is a staple of our discipline, are also discussed in several chapters, in particular for ways in which advanced research methods can lead into language technologies and vice versa and ways in which the skills around teaching can be used for public engagement, and vice versa. A common thread through much of the volume is the importance of open access publication or open source development and distribution of texts, materials, tools and standards, both because of the public good provided by such models (circulating materials often already paid for out of the public purse), and the ability to reach non-standard audiences, those who cannot access rich university libraries or afford expensive print volumes. Linked Open Data is another technology that results in wide and free distribution of structured information both within and outside academic circles, and several chapters present academic work that includes ontologies and RDF, either as a direct research output or as essential part of the communication and knowledge representation. Several chapters focus not on the literary and philological side of classics, but on the study of cultural heritage, archaeology, and the material supports on which original textual and artistic material are engraved or otherwise inscribed, addressing both the capture and analysis of artefacts in both 2D and 3D, the representation of data through archaeological standards, and the importance of sharing information and expertise between the several domains both within and without academia that study, record and conserve ancient objects. Almost without exception, the authors reflect on the issues of interdisciplinarity and collaboration, the relationship between their research practice and teaching and/or communication with a wider public, and the importance of the role of the academic researcher in contemporary society and in the context of cutting edge technologies. How research is communicated in a world of instant- access blogging and 140-character micromessaging, and how our expectations of the media affect not only how we publish but how we conduct our research, are questions about which all scholars need to be aware and self-critical.
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Mode of access: Internet.
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"Prepared in the Bureau of government of the University of Michigan."-Pref.
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Mode of access: Internet.
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"List of works to be consulted": p.xlvii-lvii.Contents.--L'Hotel de Rambouillet.--Mademoiselle de Scudery et les femmes savantes.--Les precieuses.--Les regles de la civilte.--Notes.
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Mode of access: Internet.
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Biographical sketches comprise last part of v. 2 and all of v. 3.