Sculpture in Spain,

Mode of access: Internet.

A manual of classical mythology; or, A companion to the Greek and Latin poets, designed chiefly to explain words, phrases and epithets, from the fables and traditions to which they refer.

Mode of access: Internet.

Explication des ouvrages de peinture, sculpture, architecture, gravure, et lithographie des artistes vivants exposés au Grand palais des Champs-Élysées.

Title varies slightly.

Decorative sculpture,

Mode of access: Internet.

A history of classical scholarship /

"Select bibliography": v.2, p. [xv]-xxiii.

The appreciation of sculpture,

"Books recommended in this course": p. [50]

Manuel général du modelage en bas-relief et ronde-bosse, du moulage et de la sculpture.

Imprint covered by label: E. Mary & Fils, Paris.

The rise of classical English criticism; a history of the canons of English literary taste and rhetorical doctrine, from the beginning of English criticism to the death of Dryden,

Two chapters appeared originally in Englische studien and the Journal of English and Germanic philology.

Précis historique des productions des arts, peinture, sculpture, architecture et gravure,

Title varies; v.2-5 have title: Nouvelles des arts ... par C.P. Landon.

Colour in the home; with note on architecture, sculpture, painting, and upon decoration and good taste,

Mode of access: Internet.

The art of the exposition : personal impressions of the architecture, sculpture, mural decorations, color scheme & other aesthetic aspects of the Panama-Pacific International Exposition /

Mode of access: Internet.

Studies in classical philology,

Mode of access: Internet.

Objects of art (illustrations) : 450 examples of sculpture, furniture, metal-work, illuminations, miniatures, wax-reliefs, ivories, enamels, majolica, porcelain, crystal, glass, jewellery, snuff-boxes, siversmith's-work, etc.

Mode of access: Internet.

Five Italian shrines; an account of the monumental tombs of S. Augustine at Pavia, S. Dominic at Bologna, S. Peter Martyr at Milan, S. Donato at Arezzo, and of Orcagna's tabernacolo at Florence, with a prefatory essay on Tuscan sculpture

Mode of access: Internet.

The problem of form in painting and sculpture,

Mode of access: Internet.