Literature and reality.

"Reference notes": p. 127-128.

Current literature.

Microfilm.bAnn Arbor, Mich. :cXerox University Microfilms, d1975.e14 microfilm reels ; 35 mm.f(American periodical series, 1850-1900 ; 689-702)

Art, literature, and the drama

Spine title: Margaret Fuller's works

Yale studies in English.

Description based on: [vol.] 2, in 1898.

Essays on literature : Ralph Waldo Emerson. France and Voltaire. Voltaire and Frederick the Great. Frederick the Great and Macauley. Albert Dürer. The brothers Grimm. Bettina von Arnim. Dante and the recent Italian struggle.

Translated by Sarah Holland Adams.

Romanische Bibliographie = Bibliographie romane = Romance bibliography.

Title in German, French and English, 1961/62-1963/64; in German only, 1965/66-

The Cambridge history of English literature,

v.1. From the beginnings to the cycles of romance.--v.2. The end of the middle ages.--v.3. Renascence and reformation.--v.4. Prose and poetry: Sir Thomas North to Michael Drayton.--v.5-6. The drama to 1642, pt. 1-2.--v.7. Cavalier and Puritan.--v.8. The age of Dryden.--v.9. From Steele and Addison to Pope and Swift.--v.10. The age of Johnson.--v.11. The period of the French revolution.--v.12-14. The nineteenth century.--General index.

Lectures on general literature, poetry, &c., delivered at the Royal Institution in 1830 and 1831.

At head of title: Harper's stereotype edition.

Indoor studies /

Mode of access: Internet.

The Cambridge history of English literature /

Accompanied by "Volume XV. General index." (xxiv, 411, [1] p. 24 cm.) Published: Cambridge, The University press, 1927.

Literary Coteries and the Making of Modern Print Culture, 1740-1790 /

Literary Coteries and the Making of Modern Print Culture, 1740-1790 offers the first study of manuscript-producing coteries as an integral element of eighteenth-century Britain’s literary culture. As a corrective to literary histories assuming that the dominance of print meant the demise of a vital scribal culture, the book profiles four interrelated and influential coteries, focusing on each group’s deployment of traditional scribal practices, on key individuals who served as bridges between networks, and on the aesthetic and cultural work performed by the group. Literary Coteries also explores points of intersection between coteries and the print trade, whether in the form of individuals who straddled the two cultures; publishing events in which the two media regimes collaborated or came into conflict; literary conventions adapted from manuscript practice to serve the ends of print; or simply poetry hand-copied from magazines. Together, these instances demonstrate how scribal modes shaped modern literary production.