[Biografía de Lemery] : Discurso leído en la Universidad Central... /

Tesis de la Universidad Central (Madrid), Facultad de Farmacia, leída el 10-06-1865.

[Biografía del célebre Lemery] : Discurso leido en la Universidad Central... en el acto solemne de recibir la investidura de doctor en la misma Facultad /

Tesis de la Universidad Central (Madrid), Facultad de Farmacia, leída el 22-10-1862.

Curso chimico del doctor Nicolas Lemery, en el qual se enseña el modo de hazer las operaciones mas usuales de la medicina ... /

Florilegio theorico-practico segundo curso quimico, con portadilla propia, [14], 477-632 p.

Curso chimico del doctor Nicolas Lemery, en el qual se enseña el modo de hazer las operaciones mas usuales de la medicina ... /

Florilegio theorico-practico segundo curso quimico, con portadilla propia, [14], 477-632 p.

Oeuvres complètes /

Cover title.

De la recherche de la vérité, livre II,

At head of title: Malebranche.

Œuvres complètes de Malebranche /

Mode of access: Internet.

Epistolae celeberrimorum virorum : nempe H. Grotii, G.J. Vossii, A. Schotti, J. Wouerii, D. Heinsii, C. Gevartii, I.F. Gronovii, G. Patini, N. Heinsii, aliorumque antehac ineditæ ... /

Some letters in French. Letters by others include Luther, (I), Rabelais (XCII), and Isaac Casaubon (IV). Grotius letters mostly to, not by, him.

Traité de l'amour de Dieu : en quel sens il doit être d'esintéressé. /

Mode of access: Internet.

Traité de morale de Malebranche.

Mode of access: Internet.

Oeuvres.

v. 1-3. De la recherche de la vérite.--v. 4. Conversations chrétiennes.--v. 5. Traité de la nature et de la grâce.--v. 10. Méditations chrétiennes et métaphysiques.--v. 11. Traité de moral.--v. 12-13. Entretiens sur la métaphysique et sur la religion. Entretiens sur la mort.--v. 14. Traité de l'amour de Dieu.--v. 15. Entretien d'un philosophie chrétien et d'un philosophie chinois.--v. 16. Réflexions sur la prémotion physique.--v. 17. Pièces joimtes, ecrits divers.--v. 18. Correspondance, actes et documents, 1638-1689.--v. 19. Correspondance, actes et documents, 1690-1715.

La nouvelle fortification, de Nicolas Goldman

Mode of access: Internet.

Instruction pastorale de Monseigneur L'Archevêque Duc de Cambray ... : au Clergé et au peuple de son Diocese ; sur le Livre intitulé Justification du silence respectueux &c. [par Jacques Fouillou et Nicolas Petitpied]

OCLC,

Les maitres de la critique au xviième siècle: Chapelain--Saint-Évremond--Boileau--La Bruyère--Fénelon.

Mode of access: Internet.

Monumens de l'histoire de France, en estampes et dessins ...

The present 30 volumes seem to have remained with the Dukes of Leuchtenberg, until the ducal library was acquired for sale in 1935 by the dealers Ulrich Hoepli (Milan) and Braus-Riggenbach (Basel). The volumes are not complete, as leaves have been wholly or partly removed throughout; this is particularly evident in preliminary volumes 2 and 10 and volume 75. Prints and the relatively small number of drawings are mostly French, with some German, Dutch and English, and are mostly of the 17th or 18th centuries. They are mounted generally on rectos of leaves, often with hand-written captions. Large prints are occasionally bound in directly; these are often folded. The engraved general title page (bearing the date 1788) appears at the beginning of each volume; below the printed title a hand-written volume number and brief title describing the volume's contents usually appear. In many volumes the title leaf is followed by a hand-written contents leaf listing the section titles, which are also written individually throughout the volume on leaves with etched decorative frames. Sections are numbered continuously throughout the work as a whole. Numbering of the leaves, when present, appears in black ink within each volume at top center recto. Printmakers include B. & J. Audran, Francesco Bartolozzi, Abraham Bosse, Stefano della Bella, Jacques Callot, François Chéreau, Wenceslaus Hollar, Romeyn de Hooghe, Raymond La Fage, Sébastien Le Clerc, Pierre Lepautre, Claude Mellan, Bernard Picart, and Simon Thomassin. There are also early color prints by Gautier-Dagoty and Jean-Baptiste Morret.