Early patterns of recovery from disturbance in intertidal algal assemblages: consistency across regions within a marine province

The importance of disturbance and the subsequent rate and pattern of recovery has been long recognised as an important driver of community structure. Community recovery is affected by processes operating at local and regional scales yet the examination of community level responses to a standardised disturbance at regional scales (i.e. among regions under different environmental conditions) has seldom been attempted. Here, we mechanically disturbed rocky intertidal lower shore algal dominated assemblages at three locations within each of three different regions within the Lusitanian biogeographical province (Azores, northern Portugal and the Canary Islands). All organisms were cleared from experimental plots and succession followed over a period of 12 months at which time we formally compared the assemblage structure to that of unmanipulated controls. Early patterns of recovery of disturbed communities varied among regions and was positively influenced by temperature, but not by regional species richness. Different components of the assemblage responded differently to disturbance. Regional differences in the relative abundance and identity of species had a key influence on the overall assemblage recovery. This study highlights how regional-scales differences in environmental conditions and species pool are important determinants of recovery of disturbed communities.

La réception des «nouveaux auteurs de Minuit» (1980-2012)

Jean Echenoz, Jean-Philippe Toussaint, Eric Chevillard et Christian Gailly sont de jeunes romanciers que Jerôme Lindon a décidé de faire publier dans les années quatre-vingt. À l'époque, on a cherché des désignations pour les nommer, créant ainsi un effet de groupe. À la fin du siècle, plusieurs études sont publiées qui font le bilan sur le roman en France au vingtième siècle, faisant un effort de sélection des auteurs méritant d’être retenus et suggérant des façons de les classer. Cet article essaie de saisir comment le travail de ces auteurs a été conçu des années quatre-vingt au début du vingtième siècle et propose une réflexion sur ce qui en est de la réception de ces romanciers de nos jours.