Building the «true evolutionism»: Darwin's impact on Henri Bergson's thought

The paper focuses on the importance of Darwin’s work for the shaping of Henri Bergson’s philosophy, bearing on mind that the two authors first intercepted symbolically in 1859, when On the Origin of Species was published and Bergson was born. Bergson studied the biological sciences of his time, whose results were integrated in a metaphysical thought. He belonged to spiritualistic positivism, a philosophy that goes from the positive data of sciences and finds the ultimate explanation of reality in a spiritual principle. He was interested in the positive evolution of the natural world and in the works of naturalists such as Lamarck, De Vries or Eimer. Darwin was among these authors, being responsible for a vision of evolution that went from the scientific level to other domains. Bergson defends the “insufficiency of pure Darwinism” by pointing out the necessity to compensate scientific evolution with an internal metaphysical reading of the real, which he considered to be “true evolutionism”. This criticism is the most visible aspect of the relations between both works. However, an attentive look verifies that Darwin’s influence overcomes the divergence of positions concerning the extent of “evolution”. The French philosopher knew not only the 1859’s bestseller, but also studies by Darwin about ethology, entomology and botany, which contributed to the fact that the naturalist’s impact gained fundamental importance in Bergson’s philosophical perspective.

La réception des «nouveaux auteurs de Minuit» (1980-2012)

Jean Echenoz, Jean-Philippe Toussaint, Eric Chevillard et Christian Gailly sont de jeunes romanciers que Jerôme Lindon a décidé de faire publier dans les années quatre-vingt. À l'époque, on a cherché des désignations pour les nommer, créant ainsi un effet de groupe. À la fin du siècle, plusieurs études sont publiées qui font le bilan sur le roman en France au vingtième siècle, faisant un effort de sélection des auteurs méritant d’être retenus et suggérant des façons de les classer. Cet article essaie de saisir comment le travail de ces auteurs a été conçu des années quatre-vingt au début du vingtième siècle et propose une réflexion sur ce qui en est de la réception de ces romanciers de nos jours.