À propos de Bohor (1962) de Iannis Xenakis
Contribuinte(s) |
Solomos, Makis |
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Data(s) |
30/01/2017
30/01/2017
2015
|
Resumo |
Bohor is the last of the five electronic works composed by Iannis Xenakis at the studio of the Groupe de Recherches Musicales at the French Radio in Paris. It is also presented as the first piece conceived for eight channels. Relying on Xenakis's writings and interviews, and on documents and sketches located in the Xenakis Archives, this paper contextualises Bohor and provides elements of analysis on the relationship between music and the composer's graphic plan of the work. It also shows the many possibilities imagined by Xenakis over the years for the sound diffusion of Bohor. |
Identificador |
Benoît GIBSON, “À propos de Bohor (1962) de Iannis Xenakis”, in Makis Solomos (Ed.) Iannis Xenakis, La musique électroasoutique. The electroacoustic music, (Paris, L’Harmattan, 2015), pp. 83–96. ISBN: 9782343066967 9782343066967 http://www.editions-harmattan.fr/catalogue/couv/aplat/9782343066967.pdf http://hdl.handle.net/10174/20278 bg@uevora.pt 203 |
Idioma(s) |
fra |
Publicador |
L’Harmattan (Paris, France) |
Direitos |
restrictedAccess |
Palavras-Chave | #Iannis Xenakis #Bohor |
Tipo |
article |