Seeing, sensing sound: eye tracking soundscapes in saving private Ryan and monsters inc.
| Contribuinte(s) |
Reinhard, C Olson, C |
|---|---|
| Data(s) |
01/01/2016
|
| Resumo |
Drawing largely on cinematic theories of sound, film aesthetics, and neuroscientific understandings of the eye and the gaze, we undertake a comparative analysis of two film sequences to address these questions: the chase sequence" from the animated film, Monsters, Inc. (Pete Docter, David Silverman, and Lee Unkrich, 2001); and the Omaha Beach landing sequence from Saving Private Ryan (Steven Spielberg, 1998). |
| Identificador | |
| Idioma(s) |
eng |
| Publicador |
Bloomsbury Academic |
| Relação |
http://dro.deakin.edu.au/eserv/DU:30083810/redmond-seeingsensingsound-2016.pdf http://www.bloomsbury.com/uk/making-sense-of-cinema-9781501302954/ |
| Direitos |
2016, Bloomsbury Academic |
| Palavras-Chave | #eye tracking #film #sound #gaze #spectatorship |
| Tipo |
Book Chapter |
