The Studio.


Autoria(s): [London, National Magazine Co., etc.]
Cobertura

Great Britain England London

Resumo

No. 229 repeated in numbering; no. 230 omitted.

Has some special issues and supplements.

Mode of access: Internet.

Vols. 1-21, Apr. 1893-1901. 1 v.; vols. 22-42, 1901-1908. 1 v.; v. 1-106, Apr. 1893-1933. 1 v.

Vols. 101 (1931)- are issued in American eds. under the titles: Atelier (1931) and: London studio (1932-1938).

From March 1897 to 1921 an American edition of the Studio was issued in New York entitled: The International studio. This was purchased in 1922 by the International Studio, Inc., and has since been produced wholly in America.

1927-Apr. 1931 issued also in an American edition as Creative art.

Formato

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Identificador

http://hdl.handle.net/2027/hvd.32044039108162

http://hdl.handle.net/2027/hvd.32044039108386

http://hdl.handle.net/2027/hvd.32044039108469

http://hdl.handle.net/2027/hvd.32044039108477

http://hdl.handle.net/2027/hvd.32044039108451

http://hdl.handle.net/2027/hvd.32044039108303

http://hdl.handle.net/2027/hvd.32044039108576

http://hdl.handle.net/2027/hvd.32044039108428

http://hdl.handle.net/2027/hvd.32044039110382

http://hdl.handle.net/2027/hvd.32044039110366

http://hdl.handle.net/2027/hvd.32044039108410

http://hdl.handle.net/2027/nyp.33433078767039

http://hdl.handle.net/2027/nyp.33433078767047

http://hdl.handle.net/2027/nyp.33433078767153

http://hdl.handle.net/2027/nyp.33433084266984

http://hdl.handle.net/2027/nyp.33433084266992

http://hdl.handle.net/2027/nyp.33433084267008

http://hdl.handle.net/2027/nyp.33433084267016

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http://hdl.handle.net/2027/nyp.33433084267032

http://hdl.handle.net/2027/nyp.33433084267040

http://hdl.handle.net/2027/nyp.33433084267057

http://hdl.handle.net/2027/nyp.33433084267065

http://hdl.handle.net/2027/uc1.d0005236120

http://hdl.handle.net/2027/uc1.d0005235940

http://hdl.handle.net/2027/nyp.33433078737438

http://hdl.handle.net/2027/nyp.33433078737594

http://hdl.handle.net/2027/nyp.33433078739533

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http://hdl.handle.net/2027/nyp.33433078739608

http://hdl.handle.net/2027/nyp.33433078740069

http://hdl.handle.net/2027/nyp.33433078767161

http://hdl.handle.net/2027/nyp.33433078744103

http://hdl.handle.net/2027/nyp.33433082118633

http://hdl.handle.net/2027/nyp.33433082118641

http://hdl.handle.net/2027/nyp.33433082118658

http://hdl.handle.net/2027/nyp.33433082118666

http://hdl.handle.net/2027/pst.000068818081

http://hdl.handle.net/2027/pst.000068818067

http://hdl.handle.net/2027/pst.000068818500

http://hdl.handle.net/2027/pst.000068818531

http://hdl.handle.net/2027/pst.000068818562

http://hdl.handle.net/2027/pst.000068818494

http://hdl.handle.net/2027/pst.000068818463

http://hdl.handle.net/2027/pst.000068818449

http://hdl.handle.net/2027/pst.000068818432

http://hdl.handle.net/2027/pst.000068818326

http://hdl.handle.net/2027/pst.000068818357

http://hdl.handle.net/2027/pst.000068818388

http://hdl.handle.net/2027/pst.000068818838

http://hdl.handle.net/2027/pst.000068818760

http://hdl.handle.net/2027/pst.000068818746

http://hdl.handle.net/2027/pst.000068818739

http://hdl.handle.net/2027/pst.000068818722

http://hdl.handle.net/2027/pst.000068818715

http://hdl.handle.net/2027/pst.000068818753

http://hdl.handle.net/2027/pst.000068818593

http://hdl.handle.net/2027/pst.000068818609

http://hdl.handle.net/2027/pst.000068818616

http://hdl.handle.net/2027/pst.000068818623

http://hdl.handle.net/2027/pst.000068818630

http://hdl.handle.net/2027/pst.000068818647

http://hdl.handle.net/2027/pst.000068818654

http://hdl.handle.net/2027/pst.000068818487

http://hdl.handle.net/2027/pst.000068818425

http://hdl.handle.net/2027/pst.000068818395

http://hdl.handle.net/2027/pst.000068818401

http://hdl.handle.net/2027/pst.000068818845

http://hdl.handle.net/2027/umn.319510019271560

http://hdl.handle.net/2027/umn.319510019271617

http://hdl.handle.net/2027/umn.319510019271625

http://hdl.handle.net/2027/umn.319510019270823

http://hdl.handle.net/2027/umn.31951001927125b

http://hdl.handle.net/2027/umn.31951p00314820u

http://hdl.handle.net/2027/umn.319510019271285

http://hdl.handle.net/2027/uc1.c2760462

http://hdl.handle.net/2027/uc1.c2760464

http://hdl.handle.net/2027/uc1.c2760469

http://hdl.handle.net/2027/uc1.c2760472

http://hdl.handle.net/2027/uc1.c2760475

http://hdl.handle.net/2027/uc1.c2760481

http://hdl.handle.net/2027/uc1.c2760484

http://hdl.handle.net/2027/uc1.c2760487

http://hdl.handle.net/2027/uc1.c2760490

http://hdl.handle.net/2027/uc1.c2760502

http://hdl.handle.net/2027/uc1.c2760506

http://hdl.handle.net/2027/uc1.c2760509

http://hdl.handle.net/2027/uc1.c2760512

http://hdl.handle.net/2027/uc1.c2760515

http://hdl.handle.net/2027/uc1.c2760521

http://hdl.handle.net/2027/uc1.c2760527

http://hdl.handle.net/2027/uc1.c2760533

http://hdl.handle.net/2027/uc1.31822027278175

http://hdl.handle.net/2027/uc1.31822030514723

Idioma(s)

eng

Publicador

[London, National Magazine Co., etc.]

Relação

Creative art

London studio

Atelier (1931)

International studio

Studio international

Direitos

Items in this record are available as Public Domain in the United States, Google-digitized. View access and use profile at http://www.hathitrust.org/access_use#pd-us-google. Please see individual items for rights and use statements.

Palavras-Chave #Decoration and ornament #Art, Modern #Art
Tipo

text