Lectures on painting and design.
| Data(s) |
31/12/1969
|
|---|---|
| Resumo |
v.1. Origin of the art. Anatomy the basis of drawing. The skeleton. The muscles of man and quadruped. Standard figure. Composition. Colour. Ancients and moderns. Invention.--v.2. Fuzeli. Wilkie. Effect of the societies on taste. A competent tribunal. On fresco. Elgin marbles. Beauty. Mode of access: Internet. |
| Formato |
bib bib bib bib bib bib bib bib bib bib bib bib bib bib |
| Identificador |
http://hdl.handle.net/2027/uc1.$b122008 http://hdl.handle.net/2027/gri.ark:/13960/t98656818 http://hdl.handle.net/2027/gri.ark:/13960/t0tq8kn8x http://hdl.handle.net/2027/uiuc.2267135v1 http://hdl.handle.net/2027/mdp.39015023486320 http://hdl.handle.net/2027/mdp.39015023486338 http://hdl.handle.net/2027/hvd.32044033636077 http://hdl.handle.net/2027/hvd.32044108136979 http://hdl.handle.net/2027/hvd.32044039524855 http://hdl.handle.net/2027/hvd.hc2e47 http://hdl.handle.net/2027/hvd.32044108135997 http://hdl.handle.net/2027/wu.89037970092 |
| Idioma(s) |
eng |
| Publicador |
London, London, Brown, Green, and Longmans, |
| Direitos |
Items in this record are available as Google-digitized, and as Public Domain. View the access and use profile at http://www.hathitrust.org/access_use#pd-google, and http://www.hathitrust.org/access_use#pd. Please see individual items for rights and use statements. |
| Palavras-Chave | #Painting. |
| Tipo |
text |
