The modern theatre; a collection of successful modern plays as acted at the Theatres Royal, London ...
Data(s) |
01/01/2025
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Resumo |
Each play has half-title only, and continuous paging. [By Mrs. Charlotte Smith] Lie of a day, by John O'Keeffe. v. 1. The will, The rage, Life How to grow rich, Notoriety; by Frederick Reynolds.--v. 2. Speculation, The delinquent, Laugh when you can, Fortune's fool, Folly as it flies; by Frederick Reynolds.--v. 3. The votary of wealth, by J. G. Holman. Zorinski, Secrets worth knowing; by Thomas Morton. Who wants a guinea? By George Colman, jr. Werter, by Frederick Reynolds.--v. 4. Duplicity, The school for arrogance, He's much to blame, Seduction; by Thomas Holcroft. The school for prejudice, by Thomas Dibdin.--v. 5. False impressions, The mysterious husband, The box-lobby challenge, The natural son, The Carmelite; by Richard Cumberland.--v. 6. The impostors, by Richard Cumberland. The wife of two husbands, Ramah Droog; by James Cobb. The law of Lombardy, Braganza; by Robert Jephson.--v. 7. I'll tell you what, Next door neighbours, The wise man of the East; by Mrs. Inchbald. Percy, by Hannah More. A trip to Scarborough, by R. B. Sheridan.--v. 8. Matilda, by the author of The Earl of Warwick [Thomas Francklin] Mary, queen of Scots, by John St. John. The fugitive, by Joseph Richardson. He would be a soldier, by Frederic Philon. England preserved, by George Watson.--v. 9. The bank note, by William Macready. The chapter of accidents, by Miss Lee. The English merchant, by George Colman [sr.] The school for wives [by Hugh Kelly] Henry the second, by Thomas Hull.--v. 10. Fashionable levities, by Leonard Macnally. Time's a tell-tale, by Henry Siddons. Which is the man? By Mrs. Cowley. What is she? Mode of access: Internet. |
Formato |
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Identificador |
http://hdl.handle.net/2027/iau.31858009597323 http://hdl.handle.net/2027/iau.31858009597349 http://hdl.handle.net/2027/uc1.b3139608 http://hdl.handle.net/2027/uc1.b3139609 http://hdl.handle.net/2027/uc1.b3139610 http://hdl.handle.net/2027/uc1.b3139611 http://hdl.handle.net/2027/uc1.b3139612 http://hdl.handle.net/2027/uc1.b3139613 http://hdl.handle.net/2027/uc1.b3139614 http://hdl.handle.net/2027/uc1.b3139615 http://hdl.handle.net/2027/uc1.b3139616 http://hdl.handle.net/2027/uc1.b3139617 http://hdl.handle.net/2027/inu.30000108775630 http://hdl.handle.net/2027/inu.30000108799432 http://hdl.handle.net/2027/inu.30000115390563 http://hdl.handle.net/2027/inu.30000108775655 http://hdl.handle.net/2027/inu.30000108775648 http://hdl.handle.net/2027/inu.30000115390605 http://hdl.handle.net/2027/umn.319510020562813 http://hdl.handle.net/2027/umn.319510020562821 http://hdl.handle.net/2027/umn.31951002056283z http://hdl.handle.net/2027/umn.31951002056284x http://hdl.handle.net/2027/umn.31951002056285v http://hdl.handle.net/2027/umn.31951002056286t http://hdl.handle.net/2027/umn.31951002056287r http://hdl.handle.net/2027/umn.31951002056289n http://hdl.handle.net/2027/uva.x000407419 http://hdl.handle.net/2027/uva.x000407417 |
Idioma(s) |
eng |
Publicador |
London, Longmans, Hurst, Rees, Orme, and Brown, |
Direitos |
Items in this record are available as Public Domain, Google-digitized. View access and use profile at http://www.hathitrust.org/access_use#pd-google. Please see individual items for rights and use statements. |
Palavras-Chave | #English drama |
Tipo |
text |