Hamline studies in musicology.
| Data(s) |
31/12/1969
|
|---|---|
| Resumo |
Errata slips inserted. v. 1. An analysis of the design of the "Caput" masses, by Dufay and Okeghem in their metric and rhythmic aspects, by R.G. Harris. A contribution to the problem of mode in mediaeval music, by Virginia Seay. A study of linear design by Gregorian chant and music written in the twelve-tone technique, by Martha Johnson.--v. 2. A discussion of the treatment of dissonances in Okeghem's masses as compared with the contrapuntal theory of Johannes Tinctoris, by Ernst Krenek. A study of conflicting key-signatures in Francesco Landini's music, by Martha Johnson. Mode of access: Internet. |
| Identificador | |
| Idioma(s) |
eng |
| Publicador |
Minneapolis, Burgess Pub. Co., |
| Direitos |
Items in this record are available as Public Domain, Google-digitized. View access and use profile at http://www.hathitrust.org/access_use#pd-google. Please see individual items for rights and use statements. |
| Palavras-Chave | #Music |
| Tipo |
text |
