Acrobats in the rooftops of Tehran
Data(s) |
01/11/2012
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Resumo |
This paper seeks to analyze the political dimension of the body, and consequently the inherently political dimension of space, through the instrumental notion of situation, understood as an spatio-temporal mesh configured by bodies, practices and discourses. The political understood as the potential for action (or non-action) underlying the individual body, implies a renewed definition of a landscape that results from the body’s doing. Landscape becomes a multiple corporeality, a field of relations in which we discover ourselves enmeshed, not just placed; a field in which the limit is not frontier but bond and common dimension. A disquieting ambiguous zone appears there where the individual spatiality is born out of the body through the actualization of its political potential and entangles with others to constitute a common spatiality, political action of the multitude. The article is organized through the description of a back-and-forth movement between the revolts of Tehran in 2009 and the Iranian revolution of 1979. Also, a detour into the works of Robert Morris and Trisha Brown is required in order to understand the link between the body and the constitution of a common spatiality. |
Formato |
application/pdf |
Identificador | |
Idioma(s) |
eng |
Publicador |
E.T.S. Arquitectura (UPM) |
Relação |
http://oa.upm.es/19051/1/jalonoyarzun_lucia_-_acrobatsintherooftopsoftehran.pdf http://www.think-space.org |
Direitos |
http://creativecommons.org/licenses/by-nc-nd/3.0/es/ info:eu-repo/semantics/openAccess |
Fonte |
Acrobats in the rooftops of Tehran | En: Think Space Pamphlets | pag. 149-163 | Zagreb Society of Architects ZSA | 2012-11 |
Palavras-Chave | #Arquitectura #Arte #Urbanismo #Geografía |
Tipo |
info:eu-repo/semantics/bookPart Sección de Libro PeerReviewed |