Presencia y latencia del diablo en tres comedias de Agustín Moreto
| Data(s) |
2013
|
|---|---|
| Resumo |
In this paper, we analyze the dramatic configuration of the devil in three plays by Agustín Moreto, Los siete durmientes (1651) El más ilustre francés, San Bernardo (1657) y El azote de su patria (1669). The main prospect is not only the study of the stage power of a character with such a wide range of theatrical and artistic possibilities, but also his structural role in the conflict and his decisive influence on the action even when he is not actually present. |
| Formato |
application/pdf |
| Identificador |
http://boris.unibe.ch/47244/1/5%20ehumanista23.moreto.fernandez.pdf Fernández, Natalia (2013). Presencia y latencia del diablo en tres comedias de Agustín Moreto. eHumanista, 23, pp. 115-142. University of California doi:10.7892/boris.47244 urn:issn:1540 5877 |
| Idioma(s) |
spa |
| Publicador |
University of California |
| Relação |
http://boris.unibe.ch/47244/ |
| Direitos |
info:eu-repo/semantics/openAccess |
| Fonte |
Fernández, Natalia (2013). Presencia y latencia del diablo en tres comedias de Agustín Moreto. eHumanista, 23, pp. 115-142. University of California |
| Palavras-Chave | #860 Spanish & Portuguese literatures #460 Spanish & Portuguese languages |
| Tipo |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion PeerReviewed |
