Estética em revolução


Autoria(s): Domingos, Adenil Alfeu; Cortez, Clarice Zamonaro; Serrano, Eliane Patrícia Grandini; Biondo, Guiomar Josefina; Costa, Maria Luiza Calim de Carvalho; Salzedas, Nelyse Apparecida Melro; Brito, Sônia de
Contribuinte(s)

Universidade Estadual Paulista (UNESP)

Data(s)

02/03/2016

02/03/2016

2012

Resumo

The difficulty lies in dealing with the texts of Almada Negreiros focuses on language, search for expression. Saramago, in his texts of various kinds, "Manual of Painting and Calligraphy" and "The world's largest flower," suffers by seeking representative languages. Which one is less difficult, less traumatic, painting or writing? In conclusion, the two are so much paint as painful to write. Compare them to the knife ripping a sheet of paper. Almada entangled in them all as a poet, novelist, painter, designer, playwright. Through them, we sought from "Before You Begin" to "Getting Started", always be in alpha. The text that follows is entitled Aesthetics in Revolution, it may cover the surrounding poetic Alma.

Formato

186-190

Identificador

http://proceedings.copec.org.br/index.php/wcca/article/view/164

Proceedings of World Congress on Communication and Arts, v. 5, n. 1, p. 186-190, 2012.

2317-1707

http://hdl.handle.net/11449/134976

ISSN2317-1707-2012-05-01-186-190.pdf

2209143767198382

2885006257077847

2648749898970948

8366957824003030

Idioma(s)

por

Relação

Proceedings of World Congress on Communication and Arts

Direitos

openAccess

Palavras-Chave #Languages #Almada negreiros #Aesthetics
Tipo

info:eu-repo/semantics/article