Estética em revolução
Contribuinte(s) |
Universidade Estadual Paulista (UNESP) |
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Data(s) |
02/03/2016
02/03/2016
2012
|
Resumo |
The difficulty lies in dealing with the texts of Almada Negreiros focuses on language, search for expression. Saramago, in his texts of various kinds, "Manual of Painting and Calligraphy" and "The world's largest flower," suffers by seeking representative languages. Which one is less difficult, less traumatic, painting or writing? In conclusion, the two are so much paint as painful to write. Compare them to the knife ripping a sheet of paper. Almada entangled in them all as a poet, novelist, painter, designer, playwright. Through them, we sought from "Before You Begin" to "Getting Started", always be in alpha. The text that follows is entitled Aesthetics in Revolution, it may cover the surrounding poetic Alma. |
Formato |
186-190 |
Identificador |
http://proceedings.copec.org.br/index.php/wcca/article/view/164 Proceedings of World Congress on Communication and Arts, v. 5, n. 1, p. 186-190, 2012. 2317-1707 http://hdl.handle.net/11449/134976 ISSN2317-1707-2012-05-01-186-190.pdf 2209143767198382 2885006257077847 2648749898970948 8366957824003030 |
Idioma(s) |
por |
Relação |
Proceedings of World Congress on Communication and Arts |
Direitos |
openAccess |
Palavras-Chave | #Languages #Almada negreiros #Aesthetics |
Tipo |
info:eu-repo/semantics/article |