Cenografia e autoria em Campo Geral


Autoria(s): Fossey, Marcela Franco
Contribuinte(s)

Universidade Estadual Paulista (UNESP)

Data(s)

27/05/2014

27/05/2014

18/12/2012

Resumo

The analyses of Guimarães Rosa's works often consider relevant facts connected to the author's personal life: his childwood in Sertão of Minas Gerais and his posterior wanderings through this region, his medical and diplomatic career, his deep knowledge of several languages, his misticism. His literary work would be a quite faithful reflection of his life. In this work, an analysis of Campo Geral (1956) [1977], considered by many critics as an autobiographical novel, is proposed, aiming to conciliate the inevitable influence of the author's biographical life without confounding or mixing enunciation scene with historical situation. Therefore, it was taken into account concepts of scenography, paratopia and of person-writer-inscriber, as proposed by Maingueneau (2006).

Formato

217-222

Identificador

http://dx.doi.org/10.4025/actascilangcult.v34i2.16177

Acta Scientiarum Language and Culture, v. 34, n. 2, p. 217-222, 2012.

1983-4675

1983-4683

http://hdl.handle.net/11449/74078

10.4025/actascilangcult.v34i2.16177

2-s2.0-84871026615

2-s2.0-84871026615.pdf

Idioma(s)

por

Relação

Acta Scientiarum Language and Culture

Direitos

openAccess

Palavras-Chave #Enunciation scene #Guimarães Rosa #Paratopia
Tipo

info:eu-repo/semantics/article