A dança “en-cena” o outro: prerrogativas para uma educação estética através do processo criativo
Contribuinte(s) |
Universidade Estadual Paulista (UNESP) |
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Data(s) |
20/05/2014
20/05/2014
01/01/2009
|
Resumo |
The dance installs in the body another scene of senses that raises the creative performance and not that can be speculated about it. There, "who dance" is the Other one, making the body acting of another manner, beyond the systemic contour of Ego. Without the presence of this forged performance, the body would not pass of one ruled machine in function of something and not in favor of himself, as original movement of himself. This article intends to make a reflection about the corporal perception in the dance, trying to point out the creative performance. So, we opened a way to understand the process creative as field of corporal sensitization where the educative intervention is accomplished in the body. |
Formato |
333-354 |
Identificador |
http://seer.ufrgs.br/Movimento/article/view/5391 Movimento. Porto Alegre: Universidade Federal do Rio Grande do Sul (UFRGS), Escola Educ Fisica, v. 15, n. 3, p. 333-354, 2009. 0104-754X http://hdl.handle.net/11449/42501 WOS:000269262500016 WOS000269262500016.pdf |
Idioma(s) |
por |
Publicador |
Universidade Federal do Rio Grande do Sul (UFRGS), Escola de Educação Física |
Relação |
Movimento |
Direitos |
openAccess |
Palavras-Chave | #Dancing #Kinesics #Psychoanalysis #Creativeness |
Tipo |
info:eu-repo/semantics/article |