Colonial feminism and Australian literary culture in Ethel and Lilian Turner's the Parthenon (1889–92)

The <i>Parthenon</i> is a unique example of a colonial Australian magazine published for girl readers by two aspirant writers, Ethel and Lilian Turner. In addition to its domestic content, typical of women's magazines, it also sought to contribute to nascent Australian literary culture. This article locates the <i>Parthenon</i> within the history of colonial women's publishing and literary culture, and situates its content within the context of the Woman Movement of the period. It reads the <i>Parthenon</i>'s telling picture of young women's perceptions of colonial literary culture and of the need to balance literary aspirations with domestic responsibilities through the lens of the “expediency feminism” advocated by the <i>Dawn</i>, a women's magazine published by Louisa Lawson from 1888. The article argues that the <i>Parthenon</i>'s superficially conservative opinion of women's supreme calling being in the home rather than the newspaper office or university library was in alignment with the arguments made by the Woman Movement to advocate for women's greater participation in the public sphere. The comparison of these contemporaneous monthly publications written and produced by women enables an understanding of the ways in which late nineteenth-century attempts to encourage women's careers and independence were grounded in domesticity.