Stereoscopic theatre: the impact of gestalt perceptual organization in the stereoscopic theatre environment


Autoria(s): Beckwith, Megan; Vincs, Kim
Contribuinte(s)

Cleland, K.

Fisher, L.

Harley, R.

Data(s)

01/01/2013

Resumo

This paper argues that it is essential for live theatre that incorporates stereoscopic imagery to reconceptualise the performance space to facilitate a successful audience experience. While 3D technology greatly increases artistic possibilities, the risks of perceptual confusion exist in live theatre just as in stereoscopic cinema, indeed more so given the coexistence of live performers. This paper argues that Gestalt perceptual organization theory can be valuable in informing how best to employ stereoscopic imagery within a live theater environment, with reference to the artistic works of one of the authors.

Identificador

http://hdl.handle.net/10536/DRO/DU:30060181

Idioma(s)

eng

Publicador

ISEA International Australian Network for Art & Technology, University of Sydney

Relação

DP120101695

http://dro.deakin.edu.au/eserv/DU:30060181/beckwith-stereoscopictheatre.pdf

http://hdl.handle.net/2123/9745

Direitos

2013, ISEA

Palavras-Chave #3D #stereography #dance technology #digital scenography #choreography #multimedia dance
Tipo

Conference Paper