Dancing in suits: a performer's perspective on the collaborative exchange between self, body, motion capture, animation and audience
Contribuinte(s) |
Cleland, K. Fisher, L. Harley, R. |
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Data(s) |
01/01/2013
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Resumo |
The motion capture process places unique demands on performers. The impact of this process on the simultaneously artistic/somatic nature of dance practice is profound. This paper explores, from a performer’s perspective, how the process of performing in an optical motion capture system can impact and limit, but also expand and reconfigure a dancer’s somatic practice. This paper argues that working within motion capture processes affects not only the immediate contexts of capture and interactive performance, but also sets up a dialogue between dance practices within and beyond the motion capture studio. |
Identificador | |
Idioma(s) |
eng |
Publicador |
ISEA, International Australian Network for Art & Technology, University of Sydney |
Relação |
http://dro.deakin.edu.au/eserv/DU:30060180/hutchison-dancinginsuits-2013.pdf http://hdl.handle.net/2123/9739 |
Direitos |
2013, ISEA |
Palavras-Chave | #dance #motion capture #interactive performance #somatic practices |
Tipo |
Conference Paper |