Duoscope
Data(s) |
01/01/2012
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Resumo |
The ambiguous representation of spatial depth in Thornton Walker’s painting The Homage creates a peculiar sense in which the ‘whereness’ of depicted objects and atmosphere cannot be ascertained by, either perspectival convention or perceptual strategies. This visual-spatial ambiguity resonates with my interested in ‘broken’ stereography. Hence, ‘duoscopy’ refers to the limitations of binocular vision when the object of perception is itself duplicitous. |
Identificador |
http://hdl.handle.net/10536/DRO/DU:30050598 http://dro.deakin.edu.au/eserv/DU:30050598/thumbnail_woodcock-duoscope-2012.jpg |
Idioma(s) |
eng |
Publicador |
Deakin University |
Relação |
http://dro.deakin.edu.au/eserv/DU:30050598/woodcock-duoscope-2012.jpg http://www.deakin.edu.au/arts-ed/scca/events/face-to-face/index.php |
Direitos |
2012, The Creator |
Palavras-Chave | #visual artwork #duoscopy #stereoscopy #3D vision #visuality #materiality #visual materiality #experimental visual perception #installation art |
Tipo |
Media Article |