Duoscope


Autoria(s): Woodcock, Rose
Data(s)

01/01/2012

Resumo

The ambiguous representation of spatial depth in Thornton Walker’s painting The Homage creates a peculiar sense in which the ‘whereness’ of depicted objects and atmosphere cannot be ascertained by, either perspectival convention or perceptual strategies. This visual-spatial ambiguity resonates with my interested in ‘broken’ stereography. Hence, ‘duoscopy’ refers to the limitations of binocular vision when the object of perception is itself duplicitous.

Identificador

http://hdl.handle.net/10536/DRO/DU:30050598

http://dro.deakin.edu.au/eserv/DU:30050598/thumbnail_woodcock-duoscope-2012.jpg

Idioma(s)

eng

Publicador

Deakin University

Relação

http://dro.deakin.edu.au/eserv/DU:30050598/woodcock-duoscope-2012.jpg

http://www.deakin.edu.au/arts-ed/scca/events/face-to-face/index.php

Direitos

2012, The Creator

Palavras-Chave #visual artwork #duoscopy #stereoscopy #3D vision #visuality #materiality #visual materiality #experimental visual perception #installation art
Tipo

Media Article