L. Bernard Hall and the feminine in Australian painting 1885-1935


Autoria(s): Rankin, Gwenyth.
Data(s)

01/01/2008

Resumo

This thesis draws on images to explore the processes by which an individual - Lindsay Bernard Hall - and a categorical concept - the feminine - became devalued in Australia's national tradition. It celebrates Hall's contribution to Australia's cultural heritage and the significance of his art in the visual record of modernising womanhood.

Identificador

http://hdl.handle.net/10536/DRO/DU:30027295

Idioma(s)

eng

Publicador

Deakin University, Faculty of Science and Technology, School of Architecture and Building

Relação

http://dro.deakin.edu.au/eserv/DU:30027295/rankin-part1.pdf

http://dro.deakin.edu.au/eserv/DU:30027295/rankin-part2.pdf

http://dro.deakin.edu.au/eserv/DU:30027295/rankin-part3.pdf

Palavras-Chave #Hall, L. Bernard (Lindsay Bernard), b. 1859 #Artists - Biography - Victoria #Femininity in art - Australia #Painting, Australian - 19th century #Painting, Australian - 20th century
Tipo

Thesis