Motivic analysis and its relevance to raga identification in carnatic music
Data(s) |
02/07/2013
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Resumo |
A raga is a collective melodic expression consisting of motifs. A raga can be identified using motifs which areunique to it. Motifs can be thought of as signature prosodic phrases. Different ragas may be composed of the same setof notes, or even phrases, but the prosody may be completely different. In this paper, an attempt is made to determinethe characteristic motifs that enable identification of a raga and distinguish between them. To determine this, motifs are first manually marked for a set of five popular raga by a professional musician. The motifs are then normalisedwith respect to the tonic. HMMs are trained for each motif using 80% of the data and about 20% are used for testing. The results do indicate that about 80% of the motifs are identified as belonging to a specific raga accurately. This research was partly funded by the European Research Council under the European Union’s Seventh Framework Program, as part of the CompMusic project (ERC grantagreement 267583). |
Identificador | |
Idioma(s) |
eng |
Publicador |
Universitat Pompeu Fabra |
Direitos |
© 2012 Vignesh Ishwar et al. This is an open-access article distributedunder the terms of the Creative Commons Attribution 3.0 Unported License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. info:eu-repo/semantics/openAccess <a href="http://creativecommons.org/licenses/by/3.0/">http://creativecommons.org/licenses/by/3.0/</a> |
Palavras-Chave | #Música -- Índia #Música -- Anàlisi |
Tipo |
info:eu-repo/semantics/conferenceObject info:eu-repo/semantics/publishedVersion |