Remedios Varo's Feminine, Spiritual Quest
Contribuinte(s) |
Ferreboeuf, R. Noble, F. Plunkett, T. |
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Data(s) |
29/01/2016
31/12/1969
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Resumo |
Remedios Varo occupies a marginal position in the Surrealist canon, despite her direct involvement with Breton’s circle and in spite of the fact that her work is attributed a universal significance. It has been interpreted as representing a journey towards identity and freedom, a search for female empowerment, and as a spiritual quest. Moreover, critical focus on the mythic/exoteric ‘female’ quest has been to the detriment of the mystical/esoteric significance of the paintings. This article argues that it is in the combination of these strands that Varo’s radicalism might be found. It shows that by presenting a female, spiritual quest for enlightenment—which exists apart from a traditionally male-dominated, western religious schema—Varo circumvented her ordained role within the artistic, spiritual, and political communities of which she was a part. <br/> |
Identificador |
http://www.palgrave.com/gb/book/9781137479303#otherversion=9781137474377 |
Idioma(s) |
eng |
Publicador |
Palgrave Macmillan |
Direitos |
info:eu-repo/semantics/embargoedAccess |
Fonte |
O'Rawe , R 2016 , Remedios Varo's Feminine, Spiritual Quest . in R Ferreboeuf , F Noble & T Plunkett (eds) , Preservation, Radicalism, and the Avant-Garde Canon . 1 edn , Avant-Gardes in Performance , Palgrave Macmillan , pp. 111-128 . |
Palavras-Chave | #Surrealism #Esotericism #Goddess #Remedios Varo #Mexico #Latin America |
Tipo |
contributionToPeriodical |