POINTS OF VIEW: Multi-Roling Performance in Ireland in the 1990s, Part 1 (Layering)


Autoria(s): Grant, David
Data(s)

13/11/2015

Resumo

This series of posts will consider the acting techniques required for this style of performance with reference to four productions from the 1990s in which two actors took on multiple roles: Frank Pig Says Hello (1992), Co-Motion’s stage adaptation of Pat McCabe’s novel; The Butcher Boy, Corca Dorca’s production of Disco Pigs (1996) by Enda Walsh; DubbleJoint’s production of Stones in his Pockets by Marie Jones (1996) and its subsequent award-winning revival which I produced at Belfast’s Lyric Theatre in 1999; and Kabosh’s production of Mojo Mickybo by Owen McCafferty (1998). The discussion will focus primarily on my own empirical exploration of the demands multi-roling places on an actor through the direction of recent revivals of Mojo Mickybo for Belfast’s Chatterbox Theatre Company (2013) and Bedlam Productions (2015).

Identificador

http://pure.qub.ac.uk/portal/en/publications/points-of-view-multiroling-performance-in-ireland-in-the-1990s-part-1-layering(cd4ff488-6d58-423a-8be9-233dda680a63).html

Idioma(s)

eng

Publicador

Taylor and Francis

Direitos

info:eu-repo/semantics/restrictedAccess

Fonte

Grant , D 2015 , ' POINTS OF VIEW: Multi-Roling Performance in Ireland in the 1990s, Part 1 (Layering) ' , Theatre, Dance and Performance Training Blog , Taylor and Francis , 13 November .

Palavras-Chave #Multi-Roling #Physical Theatre #Mojo Mickybo #Owen McCafferty, Northern Irish Theatre, Postconflict Drama in Northern Ireland
Tipo

contributionToPeriodical