Cable Crossings: The Aran Jumper as Myth and Merchandise


Autoria(s): Carden, Siún
Data(s)

01/06/2014

Resumo

This article considers the Aran jumper as a cultural artefact from an anthropological perspective. As an internationally recognized symbol of Irishness that comes with its own myth of origin, the Aran jumper carries emotionally charged ideas about kinship and nativeness. Whether read as an ID document, family tree, representation of the landscape or reference to Christian or pre-Christian spirituality, the Aran jumper’s stitch patterns seem to invite interpretation. Emerging at a particular period in the relationship between Ireland and America, this garment and the story that accompanies it have been shaped by migration and tourism, but may be understood very differently on either side of the Atlantic. The resilience of the myth of a fisherman lost at sea, whose corpse is identifiable only by designs his relatives have stitched into his clothing, is explained in light of its resonance with diasporic narratives and transnational longings.

Formato

application/vnd.openxmlformats-officedocument.wordprocessingml.document

Identificador

http://pure.qub.ac.uk/portal/en/publications/cable-crossings-the-aran-jumper-as-myth-and-merchandise(f98bcada-312f-47c5-ad5b-746420882a08).html

http://dx.doi.org/10.1179/0590887614Z.00000000053

http://pure.qub.ac.uk/ws/files/9812437/postprint_Carden_aran.docx

Idioma(s)

eng

Direitos

info:eu-repo/semantics/openAccess

Fonte

Carden , S 2014 , ' Cable Crossings: The Aran Jumper as Myth and Merchandise ' Costume , vol 48 , no. 2 , pp. 260-275 . DOI: 10.1179/0590887614Z.00000000053

Palavras-Chave #knitting, nationalism, tourism, migration, Ireland, America, marketing
Tipo

article