Examining the Spectator Experience
Data(s) |
2010
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Resumo |
Drawing on a model of spectator understanding of error in<br/>performance in the literature, we document a qualitative<br/>experiment that explores the relationships between domain<br/>knowledge, mental models, intention and error recognition<br/>by spectators of performances with electronic instruments.<br/>Participants saw two performances with contrasting instruments,<br/>with controls on their mental model and understanding<br/>of intention. Based on data from a subsequent structured<br/>interview, we identify themes in participants’ judgements<br/>and understanding of performance and explanations<br/>of their spectator experience. These reveal both elements<br/>of similarity and difference between the two performances,<br/>instruments and between domain knowledge groups. From<br/>these, we suggest and discuss implications for the design of<br/>novel performative interactions with technology |
Identificador | |
Idioma(s) |
eng |
Direitos |
info:eu-repo/semantics/restrictedAccess |
Fonte |
Fyans , A , Gurevich , M & Stapleton , P 2010 , Examining the Spectator Experience . in Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010) . Sydney , pp. 451-454 , New Interfaces for Musical Expression , Sydney , Australia , 1-1 June . |
Tipo |
contributionToPeriodical |