The Lord of the Rings and ?Identification?: A Critical Encounter


Autoria(s): Barker, Martin
Contribuinte(s)

Department of Theatre, Film & Television Studies

Lord Of The Rings research

Data(s)

23/06/2008

23/06/2008

2005

Resumo

Barker, M. (2005) 'The Lord of the Rings and 'identification': a critical encounter', European Journal of Communication, 20, 3, 353-378 Sponsorship: This research was made possible by a grant from the Economic and Social Research Council (ESRC Grant No. 000-22-0323)

The concept of ?identification? remains a commonly called-upon resource for considering how media audiences might be influenced into taking up moral and cultural positions. Yet very little empirical evidence exists to support its claims; and recent critical conceptual work has significantly undermined many constituent parts of it. This article draws upon the very large data set gathered in the course of the Lord of the Rings international audience research project, to mount critical tests of the concept?s claims. The article then uses a combination of quantitative and qualitative evidence to explore the different bases on which audiences chose nine of the films? characters as their favourites. An alternative approach to theorizing audience relations to characters is briefly outlined.

Peer reviewed

Formato

26

Identificador

Barker , M 2005 , ' The Lord of the Rings and ?Identification?: A Critical Encounter ' European Journal of Communication , vol 20 , no. 3 , pp. 353-378 . DOI: 10.1177/0267323105055262

1460-3705

PURE: 76936

PURE UUID: 8ed834c6-1f80-4031-9b5e-4a2731dd0b04

dspace: 2160/590

http://hdl.handle.net/2160/590

http://dx.doi.org/10.1177/0267323105055262

Idioma(s)

eng

Relação

European Journal of Communication

Tipo

/dk/atira/pure/researchoutput/researchoutputtypes/contributiontojournal/article

Direitos